100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Nicolas Poussin
French 1594-1665 Nicolas Poussin Galleries
The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper.
Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Nicolas Poussin Landscape with Gathering of the Ashes of Phocion by his Widow
Nicolas Poussin64.jpg 1648
Oil on canvas,
116 x 176 cmWalker
Art Gallery, Liverpool
Nicolas Poussin The VIrgin of the Pillar Appearing to ST James the Major (mk05)
new5/Nicolas Poussin-327726.jpg Canvas,118 1/2 x 95 1/4''(301 x 242 cm)Acquired from the Duc de Richelieu for Louis XIV in 1665
Nicolas Poussin E-cho and Narcissus (mk05)
new5/Nicolas Poussin-325252.jpg Canvas,29 1/4 x 39 1/4''(72 x 100 cm).Collection of Louis XIV
Echo and Narcissus (mk05)
Nicolas Poussin The Andrians Known as the Great Bacchanal with Woman Playing a Lute (mk05)
new5/Nicolas Poussin-455947.jpg Canvas,47 1/2 x 69''(121 x 175 cm).Collection of Louis XIV;acquired from the Duc de Richelieu in 1665
Nicolas Poussin The Rape of the Sabines (mk05)
new6/Nicolas Poussin-568787.jpg Canvas,62 1/2 x 81''(159 x 206 cm)Collection of Louis XIV;acquired in 1685
Nicolas Poussin The Shepherds of Arcadia (mk05)
new6/Nicolas Poussin-233264.jpg Canvas,33 1/2 x 47 1/2''(85 x 121 cm)Collectin of Louis XIV;acquired in 1685
Nicolas Poussin Self Portrait (mk05)
new6/Nicolas Poussin-255487.jpg 1650
Canvas 38 1/2 x 29 1/4''(98 x 74 cm)Painted for Paul Freart de Chantelou Acquired in 1797 INV
Nicolas Poussin Triumph of Neptune and Amphitrite (mk08)
new6/Nicolas Poussin-979956.jpg 1634
Oil on canvas,
114.5x146.6cm
Philadelphia,Philadelphia
Museum of Art
Nicolas Poussin E-cho and Narcissus (mk08)
new6/Nicolas Poussin-339689.jpg c.1627/28
Oil on canvas,
74x100cm
Paris,Musee National du Louvre
Echo and Narcissus (mk08)
Nicolas Poussin Moses Trampling on the Pharaoh's Crown (mk08)
new6/Nicolas Poussin-874576.jpg 1645
Oil on canvas
99x142.2cm
Woburn Abbey,Duke of Bedford collection
French 1594-1665 Nicolas Poussin Galleries
The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper.
Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.
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