100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Henri Fantin-Latour
French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Henri Fantin-Latour Duchess de Fitz James
new24/Henri Fantin-Latour-955563.jpg 1867(1867)
Medium English: Oil on canvas
Dimensions English: 50.3 x 42.2 cm
cyf
Henri Fantin-Latour Violetas y Azaleas
new24/Henri Fantin-Latour-444497.jpg 1875(1875)
Medium Oil on canvas
Dimensions 51.5 x 58 cm (20.3 x 22.8 in)
cyf
Henri Fantin-Latour The Temptation of St. Anthony
new24/Henri Fantin-Latour-468846.jpg Medium Oil on canvas
Dimensions 63.5 x 83.5 cm (25 x 32.9 in)
cjr
Henri Fantin-Latour The Two Sisters
new25/Henri Fantin-Latour-345885.jpg 1859(1859)
Medium Oil on canvas
Dimensions 38 3/4 x 51 3/8 in. (98.4 x 130.5 cm)
cjr
Henri Fantin-Latour Young Woman under a Tree at Sunset, Called
new26/Henri Fantin-Latour-633468.jpg 1855 - 1900
Medium oil on canvas
Dimensions 38 x 21 cm (15 x 8.3 in)
cjr
French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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