100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Henri Fantin-Latour
French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Henri Fantin-Latour studio at batignolles
new20/Henri Fantin-Latour-654897.jpg mk247
1870,oil on canvsa,80x108 in,203x274.5 cm,musee d orsay,paris,france
Henri Fantin-Latour roses in a dish
new20/Henri Fantin-Latour-855877.jpg mk247
1882,oil on canvas,14.375x12.125 in,36.5x46 cm,musee d orsay,paris,france
Henri Fantin-Latour shepherd of the week
new20/Henri Fantin-Latour-472954.jpg mk250 year in 1645-1650. Oil painting on cloth, about 107 x 137 cm. The Louvre in Paris.
Henri Fantin-Latour White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth
new20/Henri Fantin-Latour-588749.jpg White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth, 1867.
Henri Fantin-Latour Glass, Silver Goblet and Cup of Champagne
new20/Henri Fantin-Latour-535664.jpg Still Life: Glass, Silver Goblet and Cup of Champagne, 1860
French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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