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Albrecht Durer
The City hall of Alx-la-Chapelle
new16/Albrecht Durer-486598.jpg
mk168
127x189mm
Musee Conde
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Albrecht Durer
The Choir of the Great Church inbergen op zoom near the upper border
new16/Albrecht Durer-726246.jpg
mk168
132x182mm
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Albrecht Durer
Anne with the virgin and the infant Christ
new16/Albrecht Durer-255754.jpg
mk168
1519
oIL
60X50CM
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Albrecht Durer
Eobanus Hesse with the monogram of the artist
new16/Albrecht Durer-234922.jpg
mk168
169x117mm
London
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Albrecht Durer
The Church of St.John
new16/Albrecht Durer-437922.jpg
mk168
Watercolor and tempera on paper
290x423mm
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Albrecht Durer
The Willow mills on the pegnitz
new16/Albrecht Durer-468473.jpg
mk168
watercolor and tempera on paper
251x367cm
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Albrecht Durer
The Wire-Drawing Mill on the pegnita
new16/Albrecht Durer-253738.jpg
mk168
Silverpoint on prepared paper
151x228mm
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Albrecht Durer
The covered Footbridge at the haller Gate in Nuremberg
new16/Albrecht Durer-475528.jpg
mk168
Pen and ink on paper with touches of watercolor
160x323mm
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Albrecht Durer
Emperor charlemagne
new16/Albrecht Durer-834792.jpg
mk168
215x115.3cm
oil on lindenwood
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Albrecht Durer
Emperor charlemagne
new16/Albrecht Durer-742778.jpg
mk168
Oil on canvas
85x65cm
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Albrecht Durer
Model for the Portraits of the Emperors
new16/Albrecht Durer-793467.jpg
mk168
Pen and ink on paper,with watercolor
London
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Albrecht Durer
Design for the Great triuphal Chariot of Emperor Maximilian i
new16/Albrecht Durer-528689.jpg
mk168
Pen and ink on paper iwth waterclor
1518
460x2530mm
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Albrecht Durer
Emperor Maximilian i
new16/Albrecht Durer-624674.jpg
mk168
381x319mm
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Albrecht Durer
Erasmus of Rotterdam
new16/Albrecht Durer-577672.jpg
mk168
249x193mm
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Albrecht Durer
Provost Lorenz Tucher at the Prayer Bench
new16/Albrecht Durer-456629.jpg
mk168
1485
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Albrecht Durer
Levinus Memminger Michael Wolgemut
new16/Albrecht Durer-296569.jpg
mk168
335x230mm
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Albrecht Durer
Christ on the Cross between the Virgin and St.John
new16/Albrecht Durer-862544.jpg
mk168
Pen and ink on paper
310x227mm
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Albrecht Durer
The Virgin on a grassy bench
new16/Albrecht Durer-459357.jpg
mk168
engraving
122x84mm
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Albrecht Durer
One of the Foolish Virgins
new16/Albrecht Durer-693328.jpg
mk168
120x84mm
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Albrecht Durer
Youth kneeling beffore the judge
new16/Albrecht Durer-384367.jpg
mk168
Pen and ink on paper
252x189mm
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Albrecht Durer
one of the wise virgins
new16/Albrecht Durer-448837.jpg
mk168
292x203mm
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Albrecht Durer
The Holy Family in a landscape
new16/Albrecht Durer-723432.jpg
mk168
143x115mm
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Albrecht Durer
The Holy Family in a landscape
new16/Albrecht Durer-538826.jpg
mk168
pen and ink on paper
290x214mm
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Albrecht Durer
The Holy Family
new16/Albrecht Durer-247376.jpg
mk168
pen and ink on paper
204x208mm
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Albrecht Durer
The holy family with the dragonfly
new16/Albrecht Durer-598597.jpg
mk168
237x186mm
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Albrecht Durer
St.Jerome in his study
new16/Albrecht Durer-787394.jpg
mk168
192x134mm
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Albrecht Durer
The Theater of Terence
new16/Albrecht Durer-776898.jpg
mk168
93x147mm
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Albrecht Durer
The Crab fool
new16/Albrecht Durer-557324.jpg
mk168
1494
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Albrecht Durer
The Barnyard fool
new16/Albrecht Durer-294722.jpg
mk168
1494
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Albrecht Durer
The Crow Fool
new16/Albrecht Durer-286849.jpg
mk168
1494
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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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