100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Jean Marc Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Jean Marc Nattier Mademoiselle de Lambesc as Minerva, Arming her Brother the Comte de Brionne
new5/Jean Marc Nattier-855772.jpg 1732
Oil on canvas
Mus??e du Louvre, Paris.
Jean Marc Nattier Mademoiselle de Lanbesc as Minerva,Arming Her Brother the Comte de Brionne and Directing Him to the Arts of War (mk05)
new6/Jean Marc Nattier-829223.jpg 1732
Canvas 75 1/4 x 62 1/2''(191 x 159 cm)Bequest of Dr Louis La Caze 1869
Jean Marc Nattier The Countess Tessin Wife of the Seedish Ambassador in Paris (mk05)
new6/Jean Marc Nattier-678292.jpg 1741
Canvas 32 x 25 1/2''(81 x 65 cm)Bequeathed in 1895
Jean Marc Nattier Beaumarchais oil painting big
new22/Jean Marc Nattier-273263.jpg Description Beaumarchais oil painting big.jpg
English: Oil portrait of Pierre Augustin Caron de Beaumarchais, 1732-1799, by Jean-Marc Nattier, 1755
Français : Jean-Marc Nattier (French, ): Pierre Augustin Caron de Beaumarchais (1732-1799), portrait en buste, 1755, huile sur toile, collection priv??e.
Date 1755
Jean Marc Nattier Dauphine de Saxe
new24/Jean Marc Nattier-858978.jpg Date 1751(1751)
Medium Oil on canvas
Dimensions 105 ?? 120 cm (41.3 ?? 47.2 in)
cyf
Jean Marc Nattier Portrait of Madame Geoffrin
new24/Jean Marc Nattier-994883.jpg 1738(1738)
Medium Oil on canvas
Dimensions 145 ?? 115 cm (57.1 ?? 45.3 in)
cyf
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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