100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Albrecht Altdorfer
German
1480-1538
Albrecht Altdorfer Galleries
He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Albrecht Altdorfer Christ on the Cross
new24/Albrecht Altdorfer-798748.jpg Date ca. 1520(1520)
Medium wood
Dimensions Width: 57.5 cm (22.6 in). Height: 75 cm (29.5 in).
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Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, rechter Innenflugel zur Passion Christi, Szenen: Kreuzigung, Detail
new24/Albrecht Altdorfer-739435.jpg c. 1509-1516
Oil on panel
cjr
Albrecht Altdorfer Mary with the Child
new24/Albrecht Altdorfer-434563.jpg between 1520(1520) and 1525(1525)
Medium wood
Dimensions Width: 35.5 cm (14 in). Height: 49.4 cm (19.4 in).
cyf
Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz
new24/Albrecht Altdorfer-377558.jpg c. 1509-1516
Oil on wood
cjr
Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz
new24/Albrecht Altdorfer-599459.jpg c. 1509-1516
Oil on wood
128,5 x 94,3 cm
cjr
Albrecht Altdorfer Rest on The Flight into Egypt
new24/Albrecht Altdorfer-338794.jpg 1510(1510)
Oil on panel
Height: 57 cm (22.4 in). Width: 38 cm (15 in).
cjr
Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, rechter Innenflugel zur Passion Christi, Szenen: Kreuzigung, Detail
new24/Albrecht Altdorfer-876437.jpg c. 1509-1516
cjr
Albrecht Altdorfer Madonna
new24/Albrecht Altdorfer-645383.jpg Deutsch: um 1519-1522
English: c. 1519-1522
Medium Oil on wood
Dimensions 75,8 x 65 cm
cyf
Albrecht Altdorfer Bussender Hl. Hieronymus
new24/Albrecht Altdorfer-963839.jpg Date 1507(1507)
Medium Oil on wood
Dimensions 23.5 x 20.4 cm (9.3 x 8 in)
cjr
Albrecht Altdorfer Heilige Familie mit einem Engel
new24/Albrecht Altdorfer-465394.jpg 1515(1515)
Medium Oil on wood
Deutsch: Lindenholz
Dimensions 22,5 x 20,5 cm
cyf
German
1480-1538
Albrecht Altdorfer Galleries
He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
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