100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Albrecht Altdorfer
German
1480-1538
Albrecht Altdorfer Galleries
He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Albrecht Altdorfer the battle of lssus
new20/Albrecht Altdorfer-374689.jpg mk247
1529,oil on panel,62.375x47.375 in,158.4x120.3 cm,alte pinakothek,munich,germany
Albrecht Altdorfer Crucifixion
new20/Albrecht Altdorfer-368592.jpg Crucifixion (a scene rarely set on the banks of a large river) by Altdorfer, c. 1520
Albrecht Altdorfer St George and the Dragon
new20/Albrecht Altdorfer-638978.jpg St George and the Dragon, 1510, Alte Pinakothek, oil on parchment, 28 x 23 cm
Albrecht Altdorfer Floriansfolge, Szenen zur Legende des Hl. Florian, Szene: Gefangennahme des Hl. Florian, Detail
new22/Albrecht Altdorfer-572729.jpg 1516-1518
81,5 x 65,3 cm
Albrecht Altdorfer Auferstehung Christi
new23/Albrecht Altdorfer-849598.jpg Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, Predella, Außenseite des rechten Predellenflugels, Szene: Auferstehung Christi
1518
Oil on wood
71 X 37,8 cm
Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz
new24/Albrecht Altdorfer-674333.jpg c. 1509-1516
Oil on wood
128,5 X 94 cm
cjr
Albrecht Altdorfer Landschaft mit einem Steg
new24/Albrecht Altdorfer-454534.jpg English: c. 1516
Medium Deutsch: Öl auf Pergament/Holz
Dimensions 42 ?? 35,5 cm
cyf
Albrecht Altdorfer Communion of the Apostles
new24/Albrecht Altdorfer-453694.jpg Date between 1516(1516) and 1518(1518)
Medium Oil on wood
Dimensions Width: 32.5 cm (12.8 in). Height: 42 cm (16.5 in).
cjr
Albrecht Altdorfer Mary with the Child
new24/Albrecht Altdorfer-967793.jpg between 1520(1520) and 1525(1525)
wood
35.5 cm (14 in). Height: 49.4 cm (19.4 in).
cjr
Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz
new24/Albrecht Altdorfer-598554.jpg c. 1509-1516
Oil on wood
129,5 x 97 cm
cjr
Albrecht Altdorfer Crucifixion
new24/Albrecht Altdorfer-445888.jpg Date ca. 1526(1526)
Medium linden
Dimensions Width: 21 cm (8.3 in). Height: 29 cm (11.4 in).
cyf
German
1480-1538
Albrecht Altdorfer Galleries
He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
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