100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
James Mcneill Whistler
American Painter and Printmaker, 1834-1903
James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages,
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
James Mcneill Whistler Noc-turne in Black and Gold:the Falling Rocket (mk43)
new8/James Mcneill Whistler-695382.jpg c.1875
The Detroit Institute of Arts,Gift of Dexter M.Ferry,jr.
James Mcneill Whistler Portrait of Painter-s Mother
new12/James Mcneill Whistler-986297.jpg mk142
1871
Oil on canvas
144.3x162.5cm
Musee d-Orsay,
Paris
James Mcneill Whistler Whistler-s passion for all things oriental is presented here in his the princess from the Land of Porcelain
new16/James Mcneill Whistler-788926.jpg mk177
James Mcneill Whistler nocturne blue and silver chelsea
new20/James Mcneill Whistler-533753.jpg mk247
1871 ,oil on wood support ,19.5x23.875 in,50x61 cm,tate collection,london,uk
James Mcneill Whistler arrangement in grey and black the artist s mother
new20/James Mcneill Whistler-349936.jpg mk247
1871,oil on canvas,56.75x63.875 in,144x162 cm,musee d orsay,paris,france
James Mcneill Whistler nocturne in black and gold the falling rocket
new20/James Mcneill Whistler-488228.jpg mk247
c.1875,oil on wood,23.75x18.375 in,60.5x46.5 cm,detroit lnstitute of arts,detroit,mi ,usa
James Mcneill Whistler Nocturne in Grau und Gold, Westminster Bridge
new25/James Mcneill Whistler-684467.jpg c. 1871-1874
Medium Oil on canvas
Dimensions Deutsch: 47 x 62,3 cm
cjr
James Mcneill Whistler Symphonie in Wieb Nr. 3
new25/James Mcneill Whistler-336834.jpg 1865/1867
Medium oil on canvas
Dimensions Deutsch: 51,1 x 76,8 cm
cyf
American Painter and Printmaker, 1834-1903
James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages,
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