100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Claude-joseph Vernet
French Painter, 1714-1789
Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Claude-joseph Vernet Storm with a Shipwreck
new24/Claude-joseph Vernet-754574.jpg Storm with a Shipwreck, 1754, Oil on canvas, 87 x 137 cm, Wallace Collection, London
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Claude-joseph Vernet Vernet-bandol-detail
new24/Claude-joseph Vernet-688589.jpg la pe - he au thon (dxtail), 1755, huile sur toile, 1,65 x 2,63 m
Musxee national de la Marine, nx5 OA 4D, dxpôt du Musxe de Louvre, inv. 8295
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Claude-joseph Vernet Interieur du port de Marseille
new24/Claude-joseph Vernet-555359.jpg Date 1754(1754)
Medium Oil on canvas
Dimensions 165 x 263 cm (65 x 103.5 in)
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Claude-joseph Vernet Interieur du port de Marseille
new25/Claude-joseph Vernet-665479.jpg 1754(1754)
Medium Oil on canvas
Dimensions 165 x 263 cm (65 x 103.5 in)
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French Painter, 1714-1789
Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.
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