100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
VELAZQUEZ, Diego Rodriguez de Silva y Breakfast ar
VELAZQUEZ, Diego Rodriguez de Silva y1.jpg about 1617
Oil on canvas, 183 x 116 cm
The Hermitage, St. Petersburg
VELAZQUEZ, Diego Rodriguez de Silva y Peasants at the Table (El Almuerzo) r
VELAZQUEZ, Diego Rodriguez de Silva y2.jpg c. 1620
Oil on canvas, 96 x 112 cm
Museum of Fine Arts, Budapest
VELAZQUEZ, Diego Rodriguez de Silva y The Immaculate Conception set
VELAZQUEZ, Diego Rodriguez de Silva y3.jpg c. 1618
Oil on canvas, 135 x 101.6 cm
National Gallery, London
VELAZQUEZ, Diego Rodriguez de Silva y Old Woman Poaching Eggs et
VELAZQUEZ, Diego Rodriguez de Silva y4.jpg 1618
OIl on canvas, 99 x 128 cm
National Gallery of Scotland, Edinburgh
VELAZQUEZ, Diego Rodriguez de Silva y St John the Evangelist at Patmos t
VELAZQUEZ, Diego Rodriguez de Silva y5.jpg c. 1618
Oil on canvas, 135 x 102 cm
National Gallery, London
VELAZQUEZ, Diego Rodriguez de Silva y The Adoration of the Magi et
VELAZQUEZ, Diego Rodriguez de Silva y6.jpg 1619
Oil on canvas, 203 x 125 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y Christ in the House of Mary and Marthe r
VELAZQUEZ, Diego Rodriguez de Silva y7.jpg c. 1620
Oil on canvas, 60 x 103,5 cm
National Gallery, London
VELAZQUEZ, Diego Rodriguez de Silva y Abbess Jeronima de la Fuente ewt
VELAZQUEZ, Diego Rodriguez de Silva y8.jpg 1620
Oil on canvas, 160 x 110 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y The Supper at Emmaus sg
VELAZQUEZ, Diego Rodriguez de Silva y9.jpg c. 1620
Oil on canvas, 123.2 x 132.7 cm
Metropolitan Museum of Art, New York
VELAZQUEZ, Diego Rodriguez de Silva y The Waterseller of Seville
VELAZQUEZ, Diego Rodriguez de Silva y10.jpg 1623
Oil on canvas 106.7 x 81 cm
Wellington Museum, London
VELAZQUEZ, Diego Rodriguez de Silva y Philip IV et
VELAZQUEZ, Diego Rodriguez de Silva y11.jpg c. 1624-1627
Oil on canvas, 210 x 102 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y Infante Don Carlos ar
VELAZQUEZ, Diego Rodriguez de Silva y12.jpg 1626-27
Oil on canvas, 209 x 125 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y Portrait of a Young Man ert
VELAZQUEZ, Diego Rodriguez de Silva y13.jpg 1626-31
Oil on canvas
Alte Pinakothek, Munich
VELAZQUEZ, Diego Rodriguez de Silva y Dona Maria de Austria, Queen of Hungary er
VELAZQUEZ, Diego Rodriguez de Silva y14.jpg 1630
Oil on canvas, 58 x 44 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y The Topers (The Rule of Bacchus) e
VELAZQUEZ, Diego Rodriguez de Silva y16.jpg 1628
Oil on canvas, 165 x 225 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y Joseph's Bloody Coat Brought to Jacob sey
VELAZQUEZ, Diego Rodriguez de Silva y17.jpg 1630
Oil on canvas, 223 x 250 cm
Monasterio de San Lorenzo, El Escorial
VELAZQUEZ, Diego Rodriguez de Silva y The Forge of Vulcan we
VELAZQUEZ, Diego Rodriguez de Silva y18.jpg 1630
Oil on canvas, 223 x 290 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y Doua Antonia de Ipeuarrieta y Galds and her Son Luis wr
VELAZQUEZ, Diego Rodriguez de Silva y19.jpg c. 1631
Oil on canvas, 215 x 100 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y Prince Baltasar Carlos with a Dwarf r
VELAZQUEZ, Diego Rodriguez de Silva y20.jpg 1631
Oil on canvas, 136 x 104 cm
Museum of Fine Arts, Boston
VELAZQUEZ, Diego Rodriguez de Silva y Christ on the Cross aer
VELAZQUEZ, Diego Rodriguez de Silva y22.jpg 1632
Oil on canvas, 248 x 169 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y The Surrender of Breda (Las Lanzas) wr
VELAZQUEZ, Diego Rodriguez de Silva y23.jpg before 1635
Oil on canvas, 307 x 367 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y Doua Antonia de Ipeuarrieta y Galds and her Son Luis t
VELAZQUEZ, Diego Rodriguez de Silva y24.jpg c. 1631
Oil on canvas, 215 x 100 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y Equestrian Portrait of Philip IV kjugh
VELAZQUEZ, Diego Rodriguez de Silva y25.jpg 1635-36
Oil on canvas, 301 x 314 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y Prince Baltasar Carlos on Horseback kh
VELAZQUEZ, Diego Rodriguez de Silva y26.jpg 1635-36
Oil on canvas, 209 x 173 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y Buffoon Barbarroja nhg
new1/VELAZQUEZ, Diego Rodriguez de Silva y27.jpg c. 1636
Oil on canvas, 198 x 121 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y The Dwarf Don Juan Calabazas, called Calabacillas et
VELAZQUEZ, Diego Rodriguez de Silva y28.jpg c. 1639
Oil on canvas, 106 x 83 cm
Museo del Prado, Madrid
VELAZQUEZ, Diego Rodriguez de Silva y The Needlewoman drg
VELAZQUEZ, Diego Rodriguez de Silva y29.jpg c. 1640
Oil on canvas, 74 x 60 cm
National Gallery of Art, Washington
VELAZQUEZ, Diego Rodriguez de Silva y Don Balthasar Carlos set
VELAZQUEZ, Diego Rodriguez de Silva y30.jpg c. 1640
Oil on canvas, 128,5 x 99 cm
Kunsthistorisches Museum, Vienna
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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