100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
VELAZQUEZ, Diego Rodriguez de Silva y Prince Baltasar Carlos with the Count-Duke of Olivares at the Royal Mews
new16/VELAZQUEZ, Diego Rodriguez de Silva y-496263.jpg c. 1636
Oil on canvas,
144 x 96,5 cm
VELAZQUEZ, Diego Rodriguez de Silva y Portrait of a Man Form: painting
new16/VELAZQUEZ, Diego Rodriguez de Silva y-429642.jpg c. 1649
Oil on canvas,
76 x 64,5 cm
VELAZQUEZ, Diego Rodriguez de Silva y Horseman picture Philipps IV
new17/VELAZQUEZ, Diego Rodriguez de Silva y-663572.jpg mk178
1634-1636
oil on linen
317x304cm
VELAZQUEZ, Diego Rodriguez de Silva y Las Meninas or The Family of Philip IV
new19/VELAZQUEZ, Diego Rodriguez de Silva y-962222.jpg 1656-57 Oil on canvas, 318 x 276 cm
VELAZQUEZ, Diego Rodriguez de Silva y The three man beside the table
new19/VELAZQUEZ, Diego Rodriguez de Silva y-363832.jpg mk236
1618
Oil on canvas
108.5x102cm
VELAZQUEZ, Diego Rodriguez de Silva y Filipu wearing the visor
new19/VELAZQUEZ, Diego Rodriguez de Silva y-444325.jpg mk237
1628
Oil on canvas
57x44.5cm
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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