100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
LANFRANCO, Giovanni
Italian painter (b. 1582, Parma, d. 1647, Roma).
Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
LANFRANCO, Giovanni Venus Playing the Harp (Allegory of Music) sg
LANFRANCO, Giovanni1.jpg 1630-34
Oil on canvas, 214 x 150 cm
Galleria Nazionale d'Arte Antica, Rome
LANFRANCO, Giovanni Coronation of the Virgin with St.Augustine and St.William of Aquitaine (mk05)
new5/LANFRANCO, Giovanni-758548.jpg Canvas,86 1/2 x 56 1/2''(220 x 144 cm).Collection of Louis XIV;acquired from Eberhard Jabach in 1671.Alater version was painted for a chapel in Sant' Agostino in Rome in 1616
LANFRANCO, Giovanni The Ecstasy of St.Margaret of Cortona
new3/LANFRANCO, Giovanni-634485.jpg mk67
Oil on canvas
98 3/4x72 13/16in
Pitti,Palatine Gallery
LANFRANCO, Giovanni La separation Saint Pierre et de Saint Paul
new4/LANFRANCO, Giovanni-963977.jpg mk70
Toile.
H.1.07
L.1.39
Versailles,Musee National du Chateau
Italian painter (b. 1582, Parma, d. 1647, Roma).
Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger
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