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LANCRET, Nicolas
The Bird Cage s
LANCRET, Nicolas1.jpg
Oil on canvas, 44 x 48 cm
Alte Pinakothek, Munich
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LANCRET, Nicolas
Mademoiselle de Camargo Dancing g
LANCRET, Nicolas2.jpg
1730
Oil on canvas, 42 x 55 cm
Wallace Collection, London
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LANCRET, Nicolas
Company in the Park g
LANCRET, Nicolas3.jpg
Oil on canvas, 64,5 x 69,5 cm
Museu Calouste Gulbenkian, Lisbon
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LANCRET, Nicolas
Fete in a Wood s
LANCRET, Nicolas4.jpg
1720-25
Oil on canvas, 64 x 91 cm
Wallace Collection, London
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LANCRET, Nicolas
Luncheon Party sg
LANCRET, Nicolas5.jpg
1735
Oil on canvas
Museum of Fine Arts, Boston
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LANCRET, Nicolas
Lady and Gentleman with two Girls and a Servant sf
LANCRET, Nicolas6.jpg
1742
Oil on canvas, 89 x 98 cm
National Gallery, London
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LANCRET, Nicolas
The Seat of Justice in the Parliament of Paris in 1723 g
LANCRET, Nicolas7.jpg
c. 1724
Oil on canvas, 56 x 81,5 cm
Mus??e du Louvre, Paris
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LANCRET, Nicolas
The Swing t
LANCRET, Nicolas8.jpg
Oil on canvas
Victoria and Albert Museum, London
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LANCRET, Nicolas
Winter g
LANCRET, Nicolas9.jpg
1738
Oil on canvas, 69 x 89 cm
Mus??e du Louvre, Paris
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LANCRET, Nicolas
The Seat of Justice in the Parliament of Paris in 1723
new3/LANCRET, Nicolas-365484.jpg
c. 1724
Oil on canvas, 56 x 81,5 cm
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LANCRET, Nicolas
Solemn Session of the Parliament for KingLouis XIV,February 22.1723
new4/LANCRET, Nicolas-396888.jpg
mk68
Oil on canvas
Paris,Louvre
c.1723
France
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LANCRET, Nicolas
Company in the Park
new22/LANCRET, Nicolas-944963.jpg
64,5 x 69,5 cm Museu Calouste Gulbenkian, Lisbon Artist:LANCRET, Nicolas Title: Company in the Park, 1701-1750, French , painting , genre
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LANCRET, Nicolas
Lady and Gentleman with two Girls and a Servant
new22/LANCRET, Nicolas-295969.jpg
1742 Oil on canvas, 89 x 98 cm National Gallery, London Artist:LANCRET, Nicolas Title: Lady and Gentleman with two Girls and a Servant, 1701-1750, French , painting , genre
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LANCRET, Nicolas
French painter (b. 1690, Paris, d. 1743, Paris).
French painter, draughtsman and collector. He was one of the most prolific and imaginative genre painters of the first half of the 18th century in France, and, although after his death he was long regarded as a follower and imitator of Antoine Watteau, his work is markedly personal and often innovative. He began training as an engraver but soon apprenticed himself to Pierre Dulin (1669-1748), a moderately successful history painter; by 1708 he had enrolled as a student at the Academie Royale de Peinture et de Sculpture, Paris. At an unknown date he entered the workshop of the genre and decorative painter Claude Gillot, who had been Watteau's master. This move signalled an important change of direction away from the history painting pursued by his friend Francois Lemoyne. Two contemporary biographers, Ballot de Sovot and D?zallier D'Argenville
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