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Cornelis Ketel
Thomas Pead
Cornelis Ketel1.jpg
1578
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Cornelis Ketel
Sir Martin Frobisher
new16/Cornelis Ketel-429882.jpg
mk160
he is wearing a sailor-s cord round his neck
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Cornelis Ketel
Portrait of Jacob Cornelisz Banjaert
new24/Cornelis Ketel-446464.jpg
1605(1605)
Oil on canvas
102 x 82 cm (40.2 x 32.3 in)
cjr
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Cornelis Ketel
Double Portrait of a Brother and Sister
new24/Cornelis Ketel-879876.jpg
ca. 1604(1604)?
Medium Oil
cyf
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Cornelis Ketel
Portrait of Jacob Cornelisz Banjaert
new24/Cornelis Ketel-893478.jpg
1605(1605)
Medium Oil on canvas
Dimensions 102 x 82 cm (40.2 x 32.3 in)
cyf
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Cornelis Ketel
Portrait of a Woman aged 56 in 1594
new24/Cornelis Ketel-696897.jpg
Portrait of a Woman aged 56 in 1594, oil on panel, 83 x 67.3 cm, Museo Thyssen-Bornemisza, Madrid.
cjr
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Cornelis Ketel
Portrait of a Woman
new25/Cornelis Ketel-536378.jpg
oil on panel, 83 x 67.3 cm
cyf
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Cornelis Ketel
Richard Goodricke of Ribston, Yorkshire
new25/Cornelis Ketel-499467.jpg
c. 1578(1578)
Medium oil on oak
Dimensions 106 X 81 cm (41.7 X 31.9 in)
cjr
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Cornelis Ketel
Sir Thomas Cecil
new26/Cornelis Ketel-898588.jpg
circa 1575(1575)
Medium oil on panel
Dimensions 36.5 X 29.5 in
cyf
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Cornelis Ketel
Flemish (Resident in UK)
1548-1616 Cornelis or Cornelius Ketel (Gouda, 18 March 1548 ?C Amsterdam, 8 August 1616) was a Dutch Mannerist painter, active in Elizabethan London from 1573 to 1581, and in Amsterdam from 1581 to the early 1600s, now known essentially as a portrait-painter, though he was also a poet and orator, and from 1595 began to sculpt as well.
According to Ketel's biography, written by his contemporary Karel van Mander, he seems to have wanted to concentrate on the most prestigious of the hierarchy of genres, history painting, which included mythological subjects, but after he left France he is known almost entirely as a portrait-painter. Neither England nor Holland had much demand for large history paintings during his lifetime, and none of Ketel's histories or allegorical paintings are known to have survived intact, although drawings and prints survive. He did however significantly influence the development of the largest type of painting commonly produced in the United Provinces at this period, the civic group portrait
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