100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Jan Van Kessel
1626-1679
Dutch
Jan Van Kessel Gallery
Dutch painter and draughtsman. He was a follower, and probably a pupil, of Jacob van Ruisdael and covered the same range of subjects painted by Ruisdael, with the exception of marine paintings. However, van Kessel is best known for his townscapes and panoramic views, as exemplified by the Sluice and the New City Ramparts of Amsterdam in Winter (Amsterdam, Hist. Mus.) and the Bleaching Grounds near Haarlem (Brussels, Mus. A. Anc.). He imitated the water-mills and village scenes of his friend Meindert Hobbema, as well as the waterfalls of Allaert van Everdingen, the wooded landscapes of Jan Wijnants and the winter scenes of Jan van de Cappelle. Many of van Kessel's 120 surviving pictures, including The Avenue (Stuttgart, Staatsgal.) and the Ford in the Woods (Dresden, Gem?ldegal. Alte Meister), were once attributed to van Ruisdael and these other masters (often with an authentic signature covered by the better-known name). Van Kessel is also frequently confused with other minor artists in van Ruisdael's circle, especially Jan Vermeer van Haarlem the younger, Isaac Koene (1637/40-1713), Jacob Salomonsz. van Ruysdael (1629/30-1681) and Anthonie van Borssom. As a draughtsman, van Kessel emulated van Ruisdael's mature style, working almost exclusively in black chalk and grey wash. The best of his 70 drawings are townscapes, although his studies of trees and depictions of farmsteads are noteworthy. A number of correlations exist between his sketches and paintings. There is no known relationship with the Flemish artists of the same name.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Jan Van Kessel Europe (mk14)
new7/Jan Van Kessel-796475.jpg 164-66
Oil on copper,centre panel,48.5 x 67.5 cm
16 plates,14.5 x 21 cm each Alte Pina kothek,Munich
Jan Van Kessel Africa (mk14)
new7/Jan Van Kessel-387249.jpg 1664-66
Oil on copper,centre panel,48.5 x 67.5 cm
16 plates,14.5 x 21 cm each Alte Pinakothek,Munich
Jan Van Kessel Asia (mk14)
new7/Jan Van Kessel-522682.jpg 1664-66
Oil on copper,centre panel,48.5 x 67.5 cm
16 plates,14.5 x 21 cm each Alte Pinakothek,Munich
Jan Van Kessel America (mk14)
new7/Jan Van Kessel-584438.jpg 1666
Oil on copper,centre panel,48.5 x 67.5 cm
16 plates,14.5 x 21 cm each Alte Pinakothek,Munich
Jan Van Kessel Still life of various flowers and grapes encircling a reliqu ary containing the host,set within a stone niche
new3/Jan Van Kessel-547226.jpg mk56
oil on copper
Jan Van Kessel Still life of various flwers in a basket,tulips in a copper pot hortensias,asparagi and artichokes laid out on the ground,together with an owl,butterf
new3/Jan Van Kessel-324628.jpg mk56
oil on copper
Jan Van Kessel Gemalde
new22/Jan Van Kessel-656874.jpg Gemalde „Der Erdteil Europa mit 16 Bildern. „Der Erdteil Europa ist Teil des Zyklusses „Die vier Erdteile, Alte Pinakothek, Raum 16, Inv.-Nr. 1910
Jan Van Kessel Chien et chat devant un homard
new25/Jan Van Kessel-759756.jpg Date before 1708(1708)
Medium oil on copper
Dimensions 23.5 X 31 cm (9.3 X 12.2 in)
TTD
Jan Van Kessel Concert van Vogels
new26/Jan Van Kessel-746596.jpg between 1660(1660) and 1670(1670)
Medium oil on copper
Dimensions 13 x 18 cm (5.1 x 7.1 in)
cyf
Jan Van Kessel Still life with grapes and other fruit on a platter
new26/Jan Van Kessel-439474.jpg 17th century
Medium oil on copper
Dimensions 16.5 x 22 cm
cyf
1626-1679
Dutch
Jan Van Kessel Gallery
Dutch painter and draughtsman. He was a follower, and probably a pupil, of Jacob van Ruisdael and covered the same range of subjects painted by Ruisdael, with the exception of marine paintings. However, van Kessel is best known for his townscapes and panoramic views, as exemplified by the Sluice and the New City Ramparts of Amsterdam in Winter (Amsterdam, Hist. Mus.) and the Bleaching Grounds near Haarlem (Brussels, Mus. A. Anc.). He imitated the water-mills and village scenes of his friend Meindert Hobbema, as well as the waterfalls of Allaert van Everdingen, the wooded landscapes of Jan Wijnants and the winter scenes of Jan van de Cappelle. Many of van Kessel's 120 surviving pictures, including The Avenue (Stuttgart, Staatsgal.) and the Ford in the Woods (Dresden, Gem?ldegal. Alte Meister), were once attributed to van Ruisdael and these other masters (often with an authentic signature covered by the better-known name). Van Kessel is also frequently confused with other minor artists in van Ruisdael's circle, especially Jan Vermeer van Haarlem the younger, Isaac Koene (1637/40-1713), Jacob Salomonsz. van Ruysdael (1629/30-1681) and Anthonie van Borssom. As a draughtsman, van Kessel emulated van Ruisdael's mature style, working almost exclusively in black chalk and grey wash. The best of his 70 drawings are townscapes, although his studies of trees and depictions of farmsteads are noteworthy. A number of correlations exist between his sketches and paintings. There is no known relationship with the Flemish artists of the same name.
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