100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Jean Marc Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Jean Marc Nattier Madame Sophie of France
new24/Jean Marc Nattier-398839.jpg 1748(1748)
Medium Oil on canvas
Dimensions 79 x 60 cm (31.1 x 23.6 in)
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Jean Marc Nattier Madame Victoire of France
new24/Jean Marc Nattier-864556.jpg 1748(1748)
Medium Oil on canvas
Dimensions 79 x 60 cm (31.1 x 23.6 in)
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Jean Marc Nattier Portrait de Madame de Pompadour en Diane
new24/Jean Marc Nattier-754795.jpg 1748(1748)
Medium Oil on canvas
Dimensions 53 x 43 cm (20.9 x 16.9 in)
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Jean Marc Nattier Daughter of Louis XV
new24/Jean Marc Nattier-499953.jpg 1749(1749)
Medium Oil on canvas
Dimensions 39.5 x 31.5 cm (15.6 x 12.4 in)
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Jean Marc Nattier Madame Adelaide de France
new24/Jean Marc Nattier-956597.jpg 1749(1749)
Medium Oil on canvas
Dimensions 81 x 64 cm (31.9 x 25.2 in)
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Jean Marc Nattier Portrait of Madame Marie
new24/Jean Marc Nattier-958796.jpg 1739(1739)
Medium Oil on canvas
Dimensions 101.8 x 82.8 cm (40.1 x 32.6 in)
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Jean Marc Nattier Madame Louise of France
new24/Jean Marc Nattier-944749.jpg 1748(1748)
Medium Oil on canvas
Dimensions 98 x 85 cm (38.6 x 33.5 in)
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Jean Marc Nattier The Marquise de Vintimille as Aurora
new24/Jean Marc Nattier-985635.jpg 1741(1741)
Medium Oil on canvas
Dimensions 146.1 x 114.3 cm (57.5 x 45 in)
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Jean Marc Nattier Victoire Louise Marie Therese de France
new24/Jean Marc Nattier-645563.jpg 1748(1748)
Medium Oil on canvas
Dimensions 81 x 64 cm (31.9 x 25.2 in)
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Jean Marc Nattier Madame Victoire of France
new24/Jean Marc Nattier-747468.jpg 1748(1748)
Medium Oil on canvas
Dimensions 81 x 64 cm (31.9 x 25.2 in)
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Jean Marc Nattier Marie Adelaide de Bourbon
new24/Jean Marc Nattier-839576.jpg before 1766(1766)
Medium Oil on canvas
Dimensions 222 x 148 cm (87.4 x 58.3 in)
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Jean Marc Nattier Portrait of Louise Henriette Gabrielle de Lorraine
new24/Jean Marc Nattier-364834.jpg 1746(1746)
Medium Oil on canvas
Dimensions 80 x 65 cm (31.5 x 25.6 in)
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Jean Marc Nattier Anne Henriette of France represented as Flora
new24/Jean Marc Nattier-855858.jpg 1742(1742)
Medium Oil on canvas
Dimensions 96 x 151 cm (37.8 x 59.4 in)
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Jean Marc Nattier Madame Adeaide de France Tying Knots
new24/Jean Marc Nattier-554785.jpg 1756(1756)
Medium Oil on canvas
Dimensions 128 x 96 cm (50.4 x 37.8 in)
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Jean Marc Nattier Portrait of a Lady as a Vestal Virgin
new26/Jean Marc Nattier-647998.jpg 18th century
Medium oil on canvas
Dimensions 146.8 X 114 cm
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1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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