1452-60 Illumination on parchment Mus?e Cond? Chantilly The miniature was executed by Jean Fouquet (1420-1480). There are 40 beautiful miniatures in the Chantilly Museum from the horary book of ?tienne Chevalier. One of these represents ?tienne Chevalier and his Patron. Chevalier is similar than in the Berlin portrait by Fouquet, however, he looks much older in the miniature. Other miniatures from this Book of Hours can be seen at Jean
Painting ID:: 62395
1470-1500 Illumination on parchment Benedictine Library, Pannonhalma 240 folios of the book survived with 13 figurative miniatures and several initials. The subsewuent pages are illustrated in the picture. Thje left page depicts the scene of Circumcision. The style of the pages is related to that of Alexander Bening (d. 1519), a miniaturist from Bruges whose style was also folowed by his son, Simon Bening (1483-1461).Artist:MINIATURIST, Netherlandish Title: Book of Hours Painted in 1451-1500 , Flemish - - illumination : religious
Painting ID:: 63853
1490s Illumination on parchment Cathedral Library, Esztergom The miniature representing Meeting of Mary and Elisabeth comes from a Book of Hours (Book of Prayers) with provenance of Tours. , MINIATURIST, Spanish , Book of Hours , 1451-1500 , Spanish , illumination , religious
Painting ID:: 65125
1490s Illumination on parchment Cathedral Library, Esztergom The miniature depicting The Death and the Knight comes from a Book of Hours, a French (Tours) Book of Prayers. Artist: MINIATURIST, French , Book of Hours , 1451-1500 , French , illumination , religious
Painting ID:: 65139
1490s Illumination on parchment Cathedral Library, Esztergom The miniature showing the Presentation comes from a Book of Hours (Flemish Book of Prayers). Artist: MINIATURIST, Flemish , Book of Hours , 1451-1500 , Flemish , illumination , religious
Painting ID:: 65143
Illumination on parchment Stadtbibliothek, Nuremberg This page representing the Death of the Virgin is from the Book of Hours. This manuscript has a text-page layout which came to be almost universally adopted for Books of Hours during the fourteenth and fifteenth centuries. The Nuremberg manuscript is puzzling since its contents show that it was designed for use in England or by someone with English connections. However, it is certainly a Parisian production. The page illustrated shows the opening of the Hours of the Virgin. The upper part of the page is occupied by an illustration, still at this stage connected to the initial letters of the text. From this illustration springs foliage decoration which branches down and round to enclose the text beneath. This scheme is satisfactory since the foliage sprays bind text and picture together to form a pleasing surface pattern, and it is not surprising that it was widely adopted. Artist: MINIATURIST, French , Book of Hours , 1251-1300 , French , illumination , religious
Painting ID:: 65146
1490s Illumination on parchment Cathedral Library, Esztergom The miniature representing The Legend of the Golden Gate comes from a Book of Hours, a French (Tours) Book of Prayers. Artist: MINIATURIST, French , Book of Hours , 1451-1500 , French , illumination , religious
Painting ID:: 65147
1490s Illumination on parchment Cathedral Library, Esztergom The miniature depicting the Annunciation comes from a Book of Hours (Flemish Book of Prayers). Artist: MINIATURIST, Flemish , Book of Hours , 1451-1500 , Flemish , illumination , religious
Painting ID:: 65155
unknow artist 1490s Illumination on parchment Cathedral Library, Esztergom The miniature depicting the Annunciation comes from a Book of Hours (Flemish Book of Prayers). Artist: MINIATURIST, Flemish , Book of Hours , 1451-1500 , Flemish , illumination , religious Book of Hours
