1640 Oil on oak, 52,5 x 81,5 cm Wallraf-Richartz Museum, Cologne The temptations or trials of St Anthony, who was tormented by spectres, witches and devils while living as a hermit among the barren cliffs, had often been depicted in Netherlandish painting. The basic type of mountain cliffs and fantastic figures in human and animal forms shows a clear relationship to Bosch and Bruegel. As well as peasant scenes, landscapes and mythology, Teniers had an interest in depicting ghosts, witches and alchemists. , Artist: TENIERS, David the Younger , The Temptation of St Anthony , 1651-1700 , Flemish , painting , religious
Painting ID:: 63954
TENIERS, David the Younger 1640 Oil on oak, 52,5 x 81,5 cm Wallraf-Richartz Museum, Cologne The temptations or trials of St Anthony, who was tormented by spectres, witches and devils while living as a hermit among the barren cliffs, had often been depicted in Netherlandish painting. The basic type of mountain cliffs and fantastic figures in human and animal forms shows a clear relationship to Bosch and Bruegel. As well as peasant scenes, landscapes and mythology, Teniers had an interest in depicting ghosts, witches and alchemists. , Artist: TENIERS, David the Younger , The Temptation of St Anthony , 1651-1700 , Flemish , painting , religious The Temptation of St Anthony after Flemish Baroque Era Painter, 1610-1690
a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonn) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter
