1837 Encaustic wall painting ecole Nationale Superieure des Beaux-Arts, Paris In 1837 Delaroche was given an important commission. It was to decorate the apse of the Ecole des Beaux-Arts with a cycle of more than 70 of the most famous artists since Antiquity. This pantheon of art was known as the Hemicycle, and for decades it served artists from every country as a model of allegorical fresco painting. In the execution Delaroche went back to the antique technique of encaustic, and was the first artist to do so. This is a method in which hot melted wax is poured over the plaster, and it gives the painting a smooth quality that also repels damp. The German artist Julius Schnorr von Carolsfeld used the same technique for the wall paintings in the Residenz in Munich which he executed for King Ludwig I. The picture shows the left side of the painting. Artist: DELAROCHE, Paul Title: Hemicycle (detail) , painting Date: 1801-1850 French : other
Painting ID:: 62861
1837 Encaustic wall painting ecole Nationale Superieure des Beaux-Arts, Paris In 1837 Delaroche was given an important commission. It was to decorate the apse of the ecole des Beaux-Arts with a cycle of more than 70 of the most famous artists since Antiquity. This pantheon of art was known as the Hemicycle, and for decades it served artists from every country as a model of allegorical fresco painting. In the execution Delaroche went back to the antique technique of encaustic, and was the first artist to do so. This is a method in which hot melted wax is poured over the plaster, and it gives the painting a smooth quality that also repels damp. The German artist Julius Schnorr von Carolsfeld used the same technique for the wall paintings in the Residenz in Munich which he executed for King Ludwig I. The picture shows the right side of the painting. Artist: DELAROCHE, Paul Title: Hemicycle (detail) , painting Date: 1801-1850 French : other
Painting ID:: 62862
Paul Delaroche 1837 Encaustic wall painting ecole Nationale Superieure des Beaux-Arts, Paris In 1837 Delaroche was given an important commission. It was to decorate the apse of the ecole des Beaux-Arts with a cycle of more than 70 of the most famous artists since Antiquity. This pantheon of art was known as the Hemicycle, and for decades it served artists from every country as a model of allegorical fresco painting. In the execution Delaroche went back to the antique technique of encaustic, and was the first artist to do so. This is a method in which hot melted wax is poured over the plaster, and it gives the painting a smooth quality that also repels damp. The German artist Julius Schnorr von Carolsfeld used the same technique for the wall paintings in the Residenz in Munich which he executed for King Ludwig I. The picture shows the right side of the painting. Artist: DELAROCHE, Paul Title: Hemicycle (detail) , painting Date: 1801-1850 French : other Hemicycle 1797-1856
French
Paul Delaroche Locations
Painter and sculptor, son of Gregoire-Hippolyte Delaroche. Though he was offered a post in the Bibliotheque Nationale by his uncle, Adrien-Jacques Joly, he was determined to become an artist. As his brother Jules-Hippolyte was then studying history painting with David, his father decided that Paul should take up landscape painting, and in 1816 he entered the Ecole des Beaux-Arts to study under Louis-Etienne Watelet (1780-1866). Having competed unsuccessfully for the Prix de Rome for landscape painting, he left Watelet studio in 1817 and worked for a time with Constant-Joseph Desbordes (1761-1827). In 1818 he entered the studio of Antoine-Jean Gros, where his fellow pupils included Richard Parkes Bonington, Eugene Lami and Camille Roqueplan.
