1512 Charcoal, 418 x 288 mm Graphische Sammlung Albertina, Vienna (The sheet is drastically cut at the right and the bottom.) This can scarcely be considered as a preliminary study for a painting; on the contrary, it is an independent drawing par excellence, with a great deal of curly and distinct linear movement. It is clear from this how incompletely the tortured motif of the 1512 painting of the Virgin (Vienna) reveals the artist's general frame of mind in this period.Artist:D?RER, Albrecht Title: The Virgin Nursing the Child Painted in 1501-1550 , German - - graphics : study
Painting ID:: 63648
Albrecht Durer 1512 Charcoal, 418 x 288 mm Graphische Sammlung Albertina, Vienna (The sheet is drastically cut at the right and the bottom.) This can scarcely be considered as a preliminary study for a painting; on the contrary, it is an independent drawing par excellence, with a great deal of curly and distinct linear movement. It is clear from this how incompletely the tortured motif of the 1512 painting of the Virgin (Vienna) reveals the artist's general frame of mind in this period.Artist:D?RER, Albrecht Title: The Virgin Nursing the Child Painted in 1501-1550 , German - - graphics : study The Virgin Nursing the Child b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
