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MAULBERTSCH, Franz Anton Austrian Painter, 1724-1796
Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century
Decoration of the Cupola 1783 Fresco Parish Church, P?pa The detail depicts the Preaching of St Stephen. Artist:MAULBERTSCH, Franz Anton Title: Decoration of the Cupola (detail), 1751-1800, Austrian , painting , religious
Rebecca and Eliezer 1745-50 Oil on canvas, 72 x 91,5 cm Museum of Fine Arts, Budapest The painting and its companion-piece, Joseph and his Brothers, are early works showing the influence of Troger and the Venetian painter Giovanni Battista Pittoni. Artist:MAULBERTSCH, Franz Anton Title: Rebecca and Eliezer, 1751-1800, Austrian , painting , religious
Allegory of the Alba 1750 Oil on canvas, 67 x 53 cm Wallraf-Richartz Museum, Cologne Tha artist made no distinction between religious and mythological or allegorical subjects, he appalied the same rococo style for all. Artist:MAULBERTSCH, Franz Anton Title: Allegory of the Alba, 1751-1800, Austrian , painting , mythological
The Education of the Virgin . 1755 Oil on canvas, 60 x 30 cm Kunsthalle, Karlsruhe Artist:MAULBERTSCH, Franz Anton Title: The Education of the Virgin, 1751-1800, Austrian , painting , religious
Austrian Painter, 1724-1796
Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century