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Homer Dodge Martin American Barbizon School Tonalist Painter, 1836-1897, He was an American artist, particularly known for his landscapes. Martin was born at Albany, New York. A pupil for a short time of William Hart, his earlier work was closely aligned with the Hudson River School. He was elected as associate of the National Academy of Design, New York, in 1868, and a full academician in 1874. During a trip to Europe in 1876 he was captivated by the Barbizon school, and thereafter his painting style gradually became darker, moodier, and more loosely-brushed. From 1882 to 1886 he lived in France, spending much of the time in Normandy.

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Homer Dodge Martin The Iron Mine,Port Henry oil painting

The Iron Mine,Port Henry

Painting ID:: 38363

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Homer Dodge Martin

The Iron Mine,Port Henry
mk136 New York About 1862

Homer Dodge Martin Effect of Trees oil painting

Effect of Trees

Painting ID:: 71637

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Homer Dodge Martin

Effect of Trees
between 1876(1876) and 1882(1882) Oil on canvas 20.5 x 25.6 cm (8.07 x 10.08 in)

Homer Dodge Martin Normandy Coast oil painting

Normandy Coast

Painting ID:: 71747

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Homer Dodge Martin

Normandy Coast
ca. 1884(1884) Oil on board 18.3 x 32.2 cm (7.2 x 12.68 in)

Effect of Trees

Painting ID:: 72838

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Homer Dodge Martin

Effect of Trees
Date between 1876(1876) and 1882(1882) Medium Oil on canvas Dimensions 20.5 X 25.6 cm (8.07 X 10.08 in) cyf

Homer Dodge Martin Death of Minnehaha oil painting

Death of Minnehaha

Painting ID:: 83030

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Homer Dodge Martin

Death of Minnehaha
1892(1892) Medium Oil on canvas cyf

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Homer Dodge Martin

American Barbizon School Tonalist Painter, 1836-1897, He was an American artist, particularly known for his landscapes. Martin was born at Albany, New York. A pupil for a short time of William Hart, his earlier work was closely aligned with the Hudson River School. He was elected as associate of the National Academy of Design, New York, in 1868, and a full academician in 1874. During a trip to Europe in 1876 he was captivated by the Barbizon school, and thereafter his painting style gradually became darker, moodier, and more loosely-brushed. From 1882 to 1886 he lived in France, spending much of the time in Normandy.

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