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Eastman Johnson American portrait and genre painter, 1824-1906 American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects

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Eastman Johnson A Ride for Liberty -- The Fugitive Slaves oil painting

A Ride for Liberty -- The Fugitive Slaves

Painting ID:: 71843

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Eastman Johnson

A Ride for Liberty -- The Fugitive Slaves
between 1860(1860) and 1864(1864) Oil on paper board 55.8 x 66.4 cm (21.97 x 26.14 in)

Eastman Johnson The Sugar Camp oil painting

The Sugar Camp

Painting ID:: 72992

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Eastman Johnson

The Sugar Camp
"The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. cjr

Eastman Johnson Fugitive Slaves oil painting

Fugitive Slaves

Painting ID:: 73114

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Eastman Johnson

Fugitive Slaves
Date between 1860(1860) and 1864(1864) Medium Oil on paper board Dimensions 55.8 X 66.4 cm (21.97 X 26.14 in) cyf

Sugar Camp

Painting ID:: 74812

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Eastman Johnson

Sugar Camp
English: "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. Date circa 1861-1866 cyf

Eastman Johnson Negro Life at the South oil painting

Negro Life at the South

Painting ID:: 80212

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Eastman Johnson

Negro Life at the South
Negro Life at the South - Oil on canvas - 36 x 45.25 in Date 1859(1859) cjr

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Eastman Johnson

American portrait and genre painter, 1824-1906 American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects

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