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Caspar David Friedrich 1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
riesengbirge mk248 malningen gjordes under en lycklig period i fredrcbs liv da ban ser tillbaka pa en bergsvandring som ban gjorde tjugo ar tidigare ocb minns ett fridfullt panorama, har morer bimlen borisonten i en blandning av mjuka gula ocb violetta toner som arerkommer dampat i de latta molnen ovanfor.
Georg Friedrich Kersting Georg Friedrich Kersting, Caspar David Friedrich in his Studio (1819). 51 ?? 40 cm. Alte Nationalgalerie, Berlin. Kersting portrays an aged Friedrich holding a maulstick at his canvas.
The Sea of Ice The Sea of Ice (1823?C24), Kunsthalle Hamburg. This scene has been described as "a stunning composition of near and distant forms in an Arctic image
Man and Woman Contemplating the Moon Man and Woman Contemplating the Moon (1830?C35). 34 ?? 44 cm. Alte Nationalgalerie, Berlin. In this work, the artist depicts a couple gazing longingly at nature, in "Old German" clothes, "scarcely different in tone or modelling from the deep dramas of nature around them
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.