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CARRACCI, Annibale Italian Baroque Era Painter, 1560-1609 Painter, draughtsman and printmaker, brother of Agostino Carracci. Since his lifetime, he has been considered one of the greatest Italian painters of his age. His masterpiece, the ceiling (1597-1601) of the Galleria Farnese, Rome, merges a vibrant naturalism with the formal language of classicism in a grand and monumental style.

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Fishing

Painting ID:: 32277

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CARRACCI, Annibale

Fishing
before 1595 Oil on canvas, 136 x 253 cm

CARRACCI, Annibale Venus with a Satyr and Cupids oil painting

Venus with a Satyr and Cupids

Painting ID:: 32289

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Venus with a Satyr and Cupids
c. 1588 Oil on canvas, 112 x142 cm

CARRACCI, Annibale The Virgin Appears to Sts Luke and Catherine oil painting

The Virgin Appears to Sts Luke and Catherine

Painting ID:: 32290

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The Virgin Appears to Sts Luke and Catherine
1592 Oil on canvas, 401 x 226 cm

CARRACCI, Annibale The Laughing Youth oil painting

The Laughing Youth

Painting ID:: 51191

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The Laughing Youth
1583 Oil on paper Galleria Borghese, Rome Capturing a moment of laughter in painting is not an easy task,

CARRACCI, Annibale Madonna Enthroned with St Matthew oil painting

Madonna Enthroned with St Matthew

Painting ID:: 63838

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Madonna Enthroned with St Matthew
1588 Oil on canvas, 384 x 255 cm Gem?ldegalerie, Dresden This painting of the type 'Sancta Conversazione' has great significance in the formation of the Baroque style. The participants of this conversition - beside St Matthew with his attribute of the reclining angel - are St Francis of Assisi and St John the Baptist. The painting is dated and signed as HANNIBAL CARRACTIUS BON F. MDLXXXVIII.Artist:CARRACCI, Annibale Title: Madonna Enthroned with St Matthew Painted in 1551-1600 , Italian - - painting : religious

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CARRACCI, Annibale

Italian Baroque Era Painter, 1560-1609 Painter, draughtsman and printmaker, brother of Agostino Carracci. Since his lifetime, he has been considered one of the greatest Italian painters of his age. His masterpiece, the ceiling (1597-1601) of the Galleria Farnese, Rome, merges a vibrant naturalism with the formal language of classicism in a grand and monumental style.

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