Painting ID:: 64260
The Annunciation 258 x 222 cm Museum voor Schone Kunsten, Ghent Rubens was not the only influential artist in the Low Countries in the 17th century. A significant number of artists clung on to the principles of realism, while also embracing the dramatic lighting effects of Caravaggio. One among them was Jan Janssens. His Annunciation is a pure example of Caravaggism characterized by simple, sharply outlined shapes and strong, theatrical lighting effects. , Artist: JANSSENS, Jan , The Annunciation , 1601-1650 , Flemish , painting , religious new21/JANSSENS, Jan-383622.jpg
Painting ID:: 64261
Concert in an Interior 1764 Oil on canvas, 120 x 108 cm Rockox House, Antwerp The Flemish painters Jan Jozef Horemans I (1682-1759) and his son Jan Jozef Horemans II continued in the 18th century the Flemish tradition of interiors. , Artist: HOREMANS, Jan Jozef II , Concert in an Interior , 1751-1800 , Flemish , painting , genre new21/HOREMANS, Jan Jozef II-932884.jpg
Painting ID:: 64485
The Rape of Dejanira 259 x 193 cm Mus?e du Louvre, Paris This painting belongs to the cycle of Hercules, intended for the Duke of Mantua. The artist applies successfully the study of the human body, blending a naturalistic touch with his passion for Greek statues. The joyful ardour which is expressed on the face of the young centaur carrying off Dejanira should be noted. Artist:RENI, Guido Title: The Rape of Dejanira, 1601-1650, Italian , painting , mythological new22/RENI, Guido-354268.jpg
Painting ID:: 64697
Winter 1645 Oil on panel, 52 x 70 cm The Hermitage, St. Petersburg *** Keywords: ************* Author: GOYEN, Jan van Title: Winter, 1601-1650, Dutch , painting , landscape new22/GOYEN, Jan van-266575.jpg
Painting ID:: 64768
The Ghent Altarpiece 1432 Oil on wood Cathedral of St Bavo, Ghent The detail shows Isabelle Borluut, wife of Jodocus Vyd, the donor of the Ghent Altarpiece. , EYCK, Jan van , The Ghent Altarpiece: The Donor's Wife (detail) , 1401-1450 , Flemish , painting , portrait new22/EYCK, Jan van-969534.jpg
Painting ID:: 64769
The Ghent Altarpiece: The Holy Hermits 1427-30 Oil on wood, 148,6 x 53,9 cm Cathedral of St Bavo, Ghent Opposite to the Soldiers of Christ and the Just Judges are the Holy Hermits who have renounced the world. , EYCK, Jan van , The Ghent Altarpiece: The Holy Hermits , 1401-1450 , Flemish , painting , religious new22/EYCK, Jan van-533394.jpg
Painting ID:: 64770
The Ghent Altarpiece: Adam (detail 1425-29 Oil on wood Cathedral of St Bavo, Ghent There is a passionate interest in facial expression and in character, an instance of this is the difference in treatment between the supernatural figures (God the Father and the Virgin) and those of Adam and Eve who appear as figures from another world, physically as well as spiritually. , EYCK, Jan van , The Ghent Altarpiece: Adam (detail) , 1401-1450 , Flemish , painting , religious new22/EYCK, Jan van-522828.jpg
Painting ID:: 64771
The Ghent Altarpiece 1432 Oil on wood Cathedral of St Bavo, Ghent When closed, the altarpiece has on the outside of its wings a large Annunciation. , EYCK, Jan van , The Ghent Altarpiece: Angel of the Annunciation , 1401-1450 , Flemish , painting , religious new22/EYCK, Jan van-879944.jpg
Painting ID:: 64772
The Ghent Altarpiece 1432 Oil on wood Cathedral of St Bavo, Ghent Prophets Zacharias and Michas are related to the Annunciation through their prophecies given by the text on the floating ribbons. , EYCK, Jan van , The Ghent Altarpiece: Prophet Zacharias , 1401-1450 , Flemish , painting , religious new22/EYCK, Jan van-229437.jpg
Painting ID:: 64773
The Ghent Altarpiece 1425-29 Oil on wood, width 37 cm Cathedral of St Bavo, Ghent The scene at top of the niche containing the figure of Adam depicts in grisaille the Offering of Abel and Cain. The scene prefigures both the sacrifice of Christ and the Eucharist. , EYCK, Jan van , The Ghent Altarpiece: The Offering of Abel and Cain , 1401-1450 , Flemish , painting , religious new22/EYCK, Jan van-936894.jpg
Painting ID:: 64774
The Ghent Altarpiece: Singing Angels 1427-29 Oil on wood, 164,5 x 71,5 cm Cathedral of St Bavo, Ghent The two panels depicting the angels playing music and singing are the most famous details of the altar-piece. Although it has been proposed that they were originally designed to be parts of an organ housing, they clearly fit into the iconographic concept. Connected with the trio of God the Father, surrounded by the Virgin Mary and St John the Baptist, these wingless angels belong to the "heavenly domain", and they not only sing the praises of the Lord but also invoke the music of the spheres. At the same time, their presence is connected to the events depicted in the lower part of the panels: the use of identical sky background proves this. , EYCK, Jan van , The Ghent Altarpiece: Singing Angels , 1401-1450 , Flemish , painting , religious new22/EYCK, Jan van-778249.jpg
Painting ID:: 65893
Gemalde Gemalde „Der Erdteil Europa mit 16 Bildern. „Der Erdteil Europa ist Teil des Zyklusses „Die vier Erdteile, Alte Pinakothek, Raum 16, Inv.-Nr. 1910
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