100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Albrecht Durer The Adoration of the Trinity
new25/Albrecht Durer-853953.jpg 1511(1511)
Medium Oil on linden
Dimensions Height: 135 cm (53.1 in). Width: 123.4 cm (48.6 in).
cjr
Albrecht Durer Feast of the Rose Garlands
new25/Albrecht Durer-854648.jpg 1506(1506)
Medium Oil on poplar
Dimensions Height: 162 cm (63.8 in). Width: 194.5 cm (76.6 in).
cjr
Albrecht Durer Portrait of Barbara Durer
new25/Albrecht Durer-394433.jpg 1490(1490)
Medium Oil on pine panel
Dimensions Height: 47 cm (18.5 in). Width: 38 cm (15 in).
cjr
Albrecht Durer Die Ferlegerin mit geflochtenem Haar
new25/Albrecht Durer-765366.jpg 1497(1497)
Medium oil on canvas
Dimensions 56.5 x 42.5 cm (22.2 x 16.7 in)
cyf
Albrecht Durer Die sieben Schmerzen Maria, Mitteltafel
new25/Albrecht Durer-476655.jpg c. 1494 - 1497
Medium oil on panel
Dimensions Deutsch: 63 x 46 cm
cjr
Albrecht Durer Portrait of Elsbeth Tucher
new25/Albrecht Durer-736998.jpg 1499(1499)
Medium oil on panel
Dimensions Height: 29 cm (11.4 in). Width: 23 cm (9.1 in).
cyf
Albrecht Durer Paumgartner Altar
new25/Albrecht Durer-558857.jpg 1503(1503)
Medium oil on linden
Dimensions Height: 155 cm (61 in). Width: 126 cm (49.6 in).
cyf
Albrecht Durer Sylvan Men with Heraldic Shields
new26/Albrecht Durer-499455.jpg 1499(1499)
Medium oil on linden wood
Dimensions Height: 49.3 cm (19.4 in). Width: 15.9 cm (6.3 in).
cjr
Albrecht Durer Portrait of the Artist Holding a Thistle
new26/Albrecht Durer-588578.jpg 1493
Type Oil on vellum
Dimensions 565 cm x 445 cm (222 in x 175 in)
cyf
Albrecht Durer Allegorie des Geizes
new26/Albrecht Durer-799997.jpg 1507(1507)
Medium Deutsch: Lindenholz
Dimensions Deutsch: 35 x 29 cm Rahmenmaße: 40 x 36 x 8 cm
cyf
Albrecht Durer Die Furlegerin mit offenem Haar
new26/Albrecht Durer-497567.jpg 1497(1497)
Medium oil on canvas
Dimensions 56 x 43 cm (22 x 16.9 in)
cjr
Albrecht Durer The Apostle James the Elder
new26/Albrecht Durer-533958.jpg 1516(1516)
Medium tempera on canvas
Dimensions Height: 45 cm (17.7 in). Width: 38 cm (15 in).
cjr
Albrecht Durer Self portrait of Albrecht Durer
new26/Albrecht Durer-766884.jpg 1508(1508)
Medium oil on panel transferred on canvas
Dimensions 99 X 87 cm
cyf
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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