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Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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Camille Pissarro Vue de Saint-Ouen-l'Aumone
new24/Camille Pissarro-969856.jpg "Vue de Saint-Ouen-l'Aumône (View of Saint-Ouen-l'Aumône)," oil on canvas, by the French artist Camille Pissarro. 23 in. x 31 3/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A.1908. Courtesy of Yale University, New Haven, Conn.
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Camille Pissarro The Pond at Ennery
new24/Camille Pissarro-696654.jpg "The Pond at Ennery," oil on canvas, by the French artist Camille Pissarro. 31 3/4 in. x 36 in. x 3 7/8 in. Yale University Art Gallery, collection of Mr. & Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn.
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Camille Pissarro The Artist's Daughter
new24/Camille Pissarro-653577.jpg "The Artist's Daughter," oil on canvas, by the French artist Camille Pissarro. 28 5/8 in. x 23 7/16 in. Yale University Art Gallery, John Hay Whitney, B.A. 1926, M.A. (Hon.) 1956, Collection. Courtesy of Yale University, New Haven, Conn.
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Camille Pissarro Vue de Saint-Ouen-l Aumone
new24/Camille Pissarro-988678.jpg English: "Vue de Saint-Ouen-l'Aumône (View of Saint-Ouen-l'Aumône)," oil on canvas, by the French artist Camille Pissarro. 23 in. x 31 3/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A.1908. Courtesy of Yale University, New Haven, Conn.
Date 1876
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Camille Pissarro Pond at Ennery
new24/Camille Pissarro-948636.jpg English: "The Pond at Ennery," oil on canvas, by the French artist Camille Pissarro. 31 3/4 in. x 36 in. x 3 7/8 in. Yale University Art Gallery, collection of Mr. & Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn.
Date 1874
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Camille Pissarro Artist s Daughter
new24/Camille Pissarro-648545.jpg English: "The Artist's Daughter," oil on canvas, by the French artist Camille Pissarro. 28 5/8 in. x 23 7/16 in. Yale University Art Gallery, John Hay Whitney, B.A. 1926, M.A. (Hon.) 1956, Collection. Courtesy of Yale University, New Haven, Conn.
Date 1872
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Camille Pissarro Jeanne Holding a Fan, oil on canvas painting by Camille Pissarro
new24/Camille Pissarro-448888.jpg Jeanne Holding a Fan, oil on canvas painting by Camille Pissarro, c.1874, the Ashmolean Museum.
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Camille Pissarro Enfants attables dans le jardin a Eragny,
new24/Camille Pissarro-333693.jpg Enfants attables dans le jardin a Eragny, oil on canvas painting by Camille Pissarro, 1892
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Camille Pissarro Jeanne Holding a Fan
new24/Camille Pissarro-637366.jpg oil on canvas painting by Camille Pissarro, c.1874, the Ashmolean Museum
Date c. 1874
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Camille Pissarro Le Vieux Pont de Chelsea, Londres
new24/Camille Pissarro-449676.jpg Le Vieux Pont de Chelsea, Londres (Old Chelsea Bridge, London), oil on canvas painting by Camille Pissarro, 1871,
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Camille Pissarro Enfants attabl dans le jardin Eragny
new24/Camille Pissarro-768775.jpg oil on canvas painting by Camille Pissarro, 1892
Date 1892(1892)
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Camille Pissarro The Raolway Bridge at Pontoise
new24/Camille Pissarro-967483.jpg Date 1873(1873)
Medium Oil on canvas
Dimensions 50 x 65 cm (19.7 x 25.6 in)
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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