100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Peter Paul Rubens Therese von Avila
new24/Peter Paul Rubens-883444.jpg Deutsch: um 1615
Medium Oil on panel
Deutsch: Öl auf Eichenholz
Dimensions Deutsch: 67 x 69 cm
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Peter Paul Rubens Equestrian Portrait of the George Villiers
new24/Peter Paul Rubens-889386.jpg oil on panel painting by Peter Paul Rubens, 1625, Kimbell Art Museum
Date 1625(1625)
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Peter Paul Rubens Girl with fan
new24/Peter Paul Rubens-437988.jpg 1612/1614
Medium Deutsch: Leinwand
Dimensions Deutsch: 96 x 73 cm Rahmenmaße: 124 x 101 x 12 cm
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Peter Paul Rubens Adoration of the Shepherds
new24/Peter Paul Rubens-365846.jpg Date 1608(1608)
Medium Oil on canvas
Dimensions 64 x 47 cm (25.2 x 18.5 in)
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Peter Paul Rubens L enlevement de Proserpine
new24/Peter Paul Rubens-739765.jpg Date ca. 1636(1636)
Medium Oil on wood
Dimensions 26 x 37 cm (10.2 x 14.6 in)
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Peter Paul Rubens Pallas and Arachne
new24/Peter Paul Rubens-963339.jpg Date 1636(1636) or 1637(1637)
Medium Oil on panel
Dimensions 26.67 x 38.1 cm (10.5 x 15 in)
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Peter Paul Rubens David Slaying Goliath
new24/Peter Paul Rubens-967374.jpg Date ca. 1616(1616)
Medium Oil on canvas
Dimensions 122.9 x 99.1 cm (48.4 x 39 in)
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Peter Paul Rubens Apollo and Daphne
new24/Peter Paul Rubens-853973.jpg Date ca. 1636(1636)
Medium Oil on wood
Dimensions 28.5 x 27.5 cm (11.2 x 10.8 in)
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Peter Paul Rubens Faun and a young woman
new24/Peter Paul Rubens-636754.jpg from 1620(1620) until 1625(1625)
Medium Oil on canvas
Dimensions 102 x 85 cm (40.2 x 33.5 in)
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Peter Paul Rubens Pan et Syrinx
new24/Peter Paul Rubens-698965.jpg Date ca. 1636(1636)
Medium Oil on wood
Dimensions 27.8 x 27.8 cm (10.9 x 10.9 in)
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Peter Paul Rubens Stormy Landscape
new24/Peter Paul Rubens-596546.jpg Date ca. 1625(1625)
Medium Oil on wood
Dimensions Height: 147 cm (57.9 in). Width: 209 cm (82.3 in).
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Peter Paul Rubens Virgin and Child
new24/Peter Paul Rubens-647856.jpg Date between 1620(1620) and 1624(1624)
Medium Oil on wood
Dimensions Height: 65 cm (25.6 in). Width: 48 cm (18.9 in).
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Peter Paul Rubens Madonna in Floral Wreath
new24/Peter Paul Rubens-775733.jpg Date ca. 1620(1620)
Medium Oil on oak
Dimensions Height: 185 cm (72.8 in). Width: 209.8 cm (82.6 in).
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Peter Paul Rubens Old Woman with a Basket of Coal
new24/Peter Paul Rubens-393734.jpg Date between 1618(1618) and 1620(1620)
Medium Oil on wood
Dimensions Height: 115 cm (45.3 in). Width: 92 cm (36.2 in).
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Peter Paul Rubens Bellerophon, Pegasus and Chimera
new24/Peter Paul Rubens-673833.jpg Date 1635(1635)
Medium Oil on wood
Dimensions 34 x 27.5 cm (13.4 x 10.8 in)
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Peter Paul Rubens Four Studies of the Head of a Negro
new24/Peter Paul Rubens-653643.jpg Date first half of 17th century
Medium Oil on canvas transferred from wood
Dimensions Height: 51 cm (20.1 in). Width: 66 cm (26 in).
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Peter Paul Rubens Gewitterlandschaft mit Philemon und Baucis
new24/Peter Paul Rubens-336586.jpg Date ca. 1630(1630)
Medium Oil on wood
Dimensions 146 x 208,5 cm
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Peter Paul Rubens Bildnis eines Mannes mit goldener Kette
new24/Peter Paul Rubens-893997.jpg Oil on panel
Deutsch: Öl auf Eichenholz
Dimensions Deutsch: 48,7 x 40 cm
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Peter Paul Rubens Portrait of prince Wladyslaw Vasa in Flemish costume.
new24/Peter Paul Rubens-378797.jpg Date ca. 1624(1624)
Medium Oil on canvas
Dimensions 116.2 x 85.8 cm (45.7 x 33.8 in)
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Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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