100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Peter Paul Rubens Mourning over Christ by Mary and John
new24/Peter Paul Rubens-358979.jpg Date 1614
Medium Oil on panel
Deutsch: Öl auf Eichenholz
Dimensions Deutsch: 40,5 x 52,5 cm Rahmenmaße: 55,3 x 67,5 x 8,5 cm
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Peter Paul Rubens The Martyrdom of St Livinus.
new24/Peter Paul Rubens-887747.jpg Rubens oil painting: The Martyrdom of St Livinus. Size: 455 x 347 cm. Location: MusXes Royaux des Beaux-Arts, Brussels
1633(1633)
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Peter Paul Rubens Ildefonso altar
new24/Peter Paul Rubens-746988.jpg Medium Oil on panel
Deutsch: Öl auf Eichenholz
Dimensions Deutsch: Mittelteil: 352 x 236 cm
Flegel je: 352 x 109 cm
ehem. Flegelaußenseiten: 353 x 233 cm
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Peter Paul Rubens Maria erscheint dem Hl
new24/Peter Paul Rubens-634368.jpg English: Ildefonso altar
Date Deutsch: um 1630/1632
Medium Deutsch: Eichenholz
Dimensions Deutsch: Mittelteil: 352 x 236 cm
Flegel je: 352 x 109 cm
ehem. Flegelaußenseiten: 353 x 233 cm
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Peter Paul Rubens Reuige Magdalena und ihre Schwester Martha
new24/Peter Paul Rubens-693789.jpg Date Deutsch: um 1620
Medium Oil on canvas
Dimensions Deutsch: 205 x 157 cm Rahmenmaße: 239,5 x 192 x 11,2 cm
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Peter Paul Rubens The Martyrdom of St Livinus
new24/Peter Paul Rubens-564383.jpg The Martyrdom of St Livinus by Rubens.jpg
Rubens oil painting: The Martyrdom of St Livinus. Size: 455 x 347 cm. Location: Musees Royaux des Beaux-Arts, Brussels
Date 1633
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Peter Paul Rubens Praying Hands
new24/Peter Paul Rubens-385395.jpg English: Oil painting, "Praying Hands" by Peter Paul Rubens (1577?C1640)
Date c.1600
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Peter Paul Rubens Ildefonso altar
new24/Peter Paul Rubens-336396.jpg Date Deutsch: um 1630/1632
Medium Deutsch: Eichenholz
Dimensions Deutsch: Mittelteil: 352 x 236 cm
Fl??gel je: 352 x 109 cm
ehem. Fl??gelaußenseiten: 353 x 233 cm
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Peter Paul Rubens A 1615-1621 oil on canvas 'Wolf and Fox hunt' painting by Peter Paul Rubens
new24/Peter Paul Rubens-873347.jpg A 1615-1621 oil on canvas 'Wolf and Fox hunt' painting by Peter Paul Rubens (1577-1640). Now in the Metropolitan Museum of Art, New York, its accession Number is 10.73.
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Peter Paul Rubens Der Tod des Decius Mus in der Schlacht
new24/Peter Paul Rubens-556997.jpg Date 1618
Medium Oil on canvas
Dimensions 288 cm x 497 cm
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Peter Paul Rubens Portrait of Albert VII, Archduke of Austria
new24/Peter Paul Rubens-958576.jpg from 1615(1615) until 1632(1632)
Oil on canvas
200 ?? 118 cm (78.7 ?? 46.5 in)
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Peter Paul Rubens Marchesa Brigida Spinola Doria
new24/Peter Paul Rubens-939953.jpg Date 1606
Medium Oil on canvas
Dimensions 152.5 ?? 99 cm (60 ?? 39 in)
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Peter Paul Rubens Equestrian Portrait of the George Villiers,
new24/Peter Paul Rubens-543356.jpg Equestrian Portrait of the George Villiers, 1st Duke of Buckingham, oil on panel painting by Peter Paul Rubens, 1625, Kimbell Art Museum
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Peter Paul Rubens Therese von Avila
new24/Peter Paul Rubens-697868.jpg Deutsch: um 1615
Medium Oil on panel
Deutsch: Öl auf Eichenholz
Dimensions Deutsch: 67 x 69 cm
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Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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