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Peter Paul Rubens
Peter Paul Rubens and Frans Snyders, Prometheus Bound,
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Peter Paul Rubens and Frans Snyders, Prometheus Bound, 1611-12. Philadelphia Museum of Art.
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Peter Paul Rubens
The Exchange of Princesses
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The Exchange of Princesses, from the Marie de' Medici Cycle. Louvre, Paris.
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Peter Paul Rubens
The Fall of Man
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The Fall of Man (after Titian), 1628?C29. Prado, Madrid
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Peter Paul Rubens
Portrait of Helene Fourment
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Portrait of Helene Fourment (Het Pelsken), c. 1630s. Kunsthistorisches Museum, Vienna.
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Peter Paul Rubens
The Chateau de Steen with Hunter,
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The Chateau de Steen with Hunter, ca. 1635-8 (National Gallery, London)
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Peter Paul Rubens
Rubens is known for the frenetic energy and lusty ebullience of his paintings, as typified by the Hippopotamus Hunt
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Rubens is known for the frenetic energy and lusty ebullience of his paintings, as typified by the Hippopotamus Hunt (1616).
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Peter Paul Rubens
The Massacre of the Innocents,
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The Massacre of the Innocents, c. 1611. Art Gallery of Ontario.
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Peter Paul Rubens
Rubens
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Rubens' "Venus at the Mirror"
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Peter Paul Rubens
Portrait of a Young Woman
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1628-35 Black chalk Museum Boijmans Van Beuningen, Rotterdam Author: RUBENS, Pieter Pauwel Title: Portrait of a Young Woman , 1601-1650 , Flemish Form: graphics , portrait
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Peter Paul Rubens
detalj fran den dystra dagen,februari
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1565
kunsthistorischesmuseum,wien
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Peter Paul Rubens
the proxy marriage of marie de medicis
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1600
paris, louvre
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Peter Paul Rubens
nicolas de respaigne,c
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1620
kassel, museum
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Peter Paul Rubens
rubens and his wife isabella brandt
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1610
munich, museum
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Peter Paul Rubens
susanna och gubbarna
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1614. nationalmuseum
se
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Peter Paul Rubens
Romulus and Remus.
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Oil on canvas
210 ?? 212 cm
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Peter Paul Rubens
The Fall of Phaeton
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c. 1604/1605
Oil on canvas
Dimensions 98.4 x 131.2 cm
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Peter Paul Rubens
Romulus and Remus
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Oil on canvas
210 X 212 cm
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Peter Paul Rubens
Portra der Isabella Brant
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c. 1610
Oil on panel
Deutsch: 96 ?? 70 cm
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Peter Paul Rubens
susanna och gubbarna
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1614
olja på duk 66x51
se
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Peter Paul Rubens
backanal pa andros
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1630-talet
olja på duk 200x215
se
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Peter Paul Rubens
The Martyrdom of Saint Ursula and the Eleven Thousand Maidens
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oil on panel painting by Peter Paul Rubens
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Peter Paul Rubens
Romulus and Remus
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Medium Oil on canvas
Dimensions 210 X 212 cm
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Peter Paul Rubens
Perseus and Andromeda
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Medium Oil on canvas
Dimensions Expression error: Missing operand for *99.5 ?? 139 cm
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Peter Paul Rubens
Ildefonso altar
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um 1630/1632
Mittelteil: 352 x 236 cm
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Peter Paul Rubens
Reuige Magdalena und ihre Schwester Martha
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um 1620
Oil on canvas
205 x 157 cm Rahmenmaße: 239,5 x 192 x 11,2 cm
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Peter Paul Rubens
Mourning over Christ by Mary and John
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1614
Oil on panel
40,5 x 52,5 cm Rahmenmaße: 55,3 x 67,5 x 8,5 cm
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Peter Paul Rubens
Three Graces
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Medium Oil on panel
Dimensions Expression error: Missing operand for *119 ?? 99 cm
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Peter Paul Rubens
Nymphen Satyrn und Hunde
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Medium Oil on wood
Dimensions Deutsch: 62 ?? 99 cm
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Peter Paul Rubens
Die Flucht nach Agypten
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Medium Oil on panel
Dimensions 40,5 x 53 cm
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Peter Paul Rubens
St Francis of Assisi Receiving the Stigmata
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Medium Oil on canvas
Dimensions 264 x 192 cm
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Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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