100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
John Singer Sargent
1856-1925
John Singer Sargent Locations
John Singer Sargent (January 12, 1856 ?C April 14, 1925) was the most successful portrait painter of his era. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida.
Before Sargent??s birth, his father FitzWilliam was an eye surgeon at the Wills Hospital in Philadelphia. After his older sister died at the age of two, his mother Mary (n??e Singer) suffered a mental collapse and the couple decided to go abroad to recover. They remained nomadic ex-patriates for the rest of their lives. Though based in Paris, Sargent??s parents moved regularly with the seasons to the sea and the mountain resorts in France, Germany, Italy, and Switzerland. While she was pregnant, they stopped in Florence, Italy because of a cholera epidemic, and there Sargent was born in 1856. A year later, his sister Mary was born. After her birth FitzWilliam reluctantly resigned his post in Philadelphia and accepted his wife??s entreaties to remain abroad. They lived modestly on a small inheritance and savings, living an isolated life with their children and generally avoiding society and other Americans except for friends in the art world. Four more children were born abroad of whom two lived past childhood.
Though his father was a patient teacher of basic subjects, young Sargent was a rambunctious child, more interested in outdoor activities than his studies. As his father wrote home, ??He is quite a close observer of animated nature.?? Contrary to his father, his mother was quite convinced that traveling around Europe, visiting museums and churches, would give young Sargent a satisfactory education. Several attempts to give him formal schooling failed, owning mostly to their itinerant life. She was a fine amateur artist and his father was a skilled medical illustrator. Early on, she gave him sketchbooks and encouraged drawing excursions. Young Sargent worked with care on his drawings, and he enthusiastically copied images from the Illustrated London News of ships and made detailed sketches of landscapes. FitzWilliam had hoped that his son??s interest in ships and the sea might lead him toward a naval career.
At thirteen, his mother reported that John ??sketches quite nicely, & has a remarkably quick and correct eye. If we could afford to give him really good lessons, he would soon be quite a little artist.?? At age thirteen, he received some watercolor lessons from Carl Welsch, a German landscape painter. Though his education was far from complete, Sargent grew up to be a highly literate and cosmopolitan young man, accomplished in art, music, and literature. He was fluent in French, Italian, and German. At seventeen, Sargent was described as ??willful, curious, determined and strong?? (after his mother) yet shy, generous, and modest (after his father). He was well-acquainted with many of the great masters from first hand observation, as he wrote in 1874, ??I have learned in Venice to admire Tintoretto immensely and to consider him perhaps second only to Michael Angelo and Titian.??
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
John Singer Sargent Countess of Rocksavage
new23/John Singer Sargent-848888.jpg Sibyl Sassoon, Countess of Rocksavage (later Marchioness of Cholmondeley)
John Singer Sargent Sir Frank Swettenham
new23/John Singer Sargent-655583.jpg Sir Frank Swettenham, 1904, by John Singer Sargent, Oil on canvas, 258 x 142.5 cm (101.57 x 56.10"), National Museum in Singapore
1904
John Singer Sargent Two Girls Lying on the Grass
new23/John Singer Sargent-843998.jpg "Two Girls Lying on the Grass," oil on canvas, by the American painter John Singer Sargent. Courtesy of the Metropolitan Museum of Art, New York.
John Singer Sargent Winifred Duchess of Portland
new23/John Singer Sargent-688885.jpg "Winifred, Duchess of Portland," oil on canvas, by the American artist John Singer Sargent. Private collection.
1902(1902)
John Singer Sargent Dolce Far Niente
new23/John Singer Sargent-933495.jpg Medium Oil on canvas
Dimensions Expression error: Missing operand for *41.3 ?? 71.7 cm
John Singer Sargent Portrait of Grace Elvina, Marchioness Curzon of Kedleston
new23/John Singer Sargent-485686.jpg 1925(1925)
Oil on canvas
127 x 92.7 cm (50 x 36.5 in)
John Singer Sargent An Out of Doors Study
new23/John Singer Sargent-737654.jpg Date ca. 1889(1889)
Medium Oil on canvas
Dimensions 65.9 X 80.7 cm (25.94 X 31.77 in)
cyf
John Singer Sargent Val d Aosta
new23/John Singer Sargent-833544.jpg Date ca. 1909(1909)
Medium Oil on canvas
Dimensions 54.9 X 69.9 cm (21.61 X 27.52 in)
cyf
John Singer Sargent Mannikin in the Snow
new24/John Singer Sargent-784694.jpg "Mannikin in the Snow," oil on canvas, by the American artist John Singer Sargent. 24 in. x 36 in. Edwin Austin Abbey Memorial Collection, Yale University Art Gallery. Courtesy of Yale University, New Haven, Conn.
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John Singer Sargent At Calcot
new24/John Singer Sargent-483657.jpg At Calcot," oil on canvas, by the American artist John Singer Sargent. 25 in. x 30 in. x 1 3/8 in. Yale University Art Gallery, Edwin Austin Abbey Memorial Collection. Courtesy of Yale University, New Haven, Conn.
John Singer Sargent View of Capri
new24/John Singer Sargent-874868.jpg "View of Capri," oil on academy board, by the American artist John Singer Sargent. 10 1/4 in. x 13 3/8 in. Yale University Art Gallery, Edwin Austin Abbey Memorial Collection. Courtesy of Yale University, New Haven, Conn.
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John Singer Sargent Study for the Boston Public Library Murals
new24/John Singer Sargent-559953.jpg "Study for the Boston Public Library Murals: Design for an Archway," oil on canvas, by the American artist John Singer Sargent. 87 1/4 in. x 51 1/4 in. Courtesy of Yale University, New Haven, Conn.
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John Singer Sargent John Hay
new24/John Singer Sargent-677867.jpg "John Hay," oil on canvas, painted by the American artist John Singer Sargent. 29 1/2 in. x 24 in. Brown University Portrait Collection, Brown University, Providence, R.I.
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John Singer Sargent Portrait of Mrs. Waldorf Astor
new24/John Singer Sargent-593354.jpg Portrait of Mrs. Waldorf Astor (nee Nancy Langhorne), Viscountess Astor. Oil on canvas by the American artist John Singer Sargent. 149.9 cm x 99 cm (59.02 in. x 38.98 in. ) Image courtesy of The Athenaeum.
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John Singer Sargent Mrs. Frederick Meade
new24/John Singer Sargent-963784.jpg "Mrs. Frederick Meade (Mary Eliza Scribner) (1822-1896)," oil on canvas, by the American artist John Singer Sargent. 33 3/8 in. x 24 in. Yale University Art Gallery, Edwin Austin Abbey Memorial Collection. Courtesy of Yale University, New Haven, Conn.
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John Singer Sargent Village Children
new24/John Singer Sargent-456439.jpg "Village Children," oil on canvas, by the American artist John Singer Sargent. 24 5/8 in. x 29 1/2 in. Yale University Art Gallery, Edwin Austin Abbey Memorial Collection. Courtesy of Yale University, New Haven, Conn.
cjr
1856-1925
John Singer Sargent Locations
John Singer Sargent (January 12, 1856 ?C April 14, 1925) was the most successful portrait painter of his era. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida.
Before Sargent??s birth, his father FitzWilliam was an eye surgeon at the Wills Hospital in Philadelphia. After his older sister died at the age of two, his mother Mary (n??e Singer) suffered a mental collapse and the couple decided to go abroad to recover. They remained nomadic ex-patriates for the rest of their lives. Though based in Paris, Sargent??s parents moved regularly with the seasons to the sea and the mountain resorts in France, Germany, Italy, and Switzerland. While she was pregnant, they stopped in Florence, Italy because of a cholera epidemic, and there Sargent was born in 1856. A year later, his sister Mary was born. After her birth FitzWilliam reluctantly resigned his post in Philadelphia and accepted his wife??s entreaties to remain abroad. They lived modestly on a small inheritance and savings, living an isolated life with their children and generally avoiding society and other Americans except for friends in the art world. Four more children were born abroad of whom two lived past childhood.
Though his father was a patient teacher of basic subjects, young Sargent was a rambunctious child, more interested in outdoor activities than his studies. As his father wrote home, ??He is quite a close observer of animated nature.?? Contrary to his father, his mother was quite convinced that traveling around Europe, visiting museums and churches, would give young Sargent a satisfactory education. Several attempts to give him formal schooling failed, owning mostly to their itinerant life. She was a fine amateur artist and his father was a skilled medical illustrator. Early on, she gave him sketchbooks and encouraged drawing excursions. Young Sargent worked with care on his drawings, and he enthusiastically copied images from the Illustrated London News of ships and made detailed sketches of landscapes. FitzWilliam had hoped that his son??s interest in ships and the sea might lead him toward a naval career.
At thirteen, his mother reported that John ??sketches quite nicely, & has a remarkably quick and correct eye. If we could afford to give him really good lessons, he would soon be quite a little artist.?? At age thirteen, he received some watercolor lessons from Carl Welsch, a German landscape painter. Though his education was far from complete, Sargent grew up to be a highly literate and cosmopolitan young man, accomplished in art, music, and literature. He was fluent in French, Italian, and German. At seventeen, Sargent was described as ??willful, curious, determined and strong?? (after his mother) yet shy, generous, and modest (after his father). He was well-acquainted with many of the great masters from first hand observation, as he wrote in 1874, ??I have learned in Venice to admire Tintoretto immensely and to consider him perhaps second only to Michael Angelo and Titian.??
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