100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Diego Velazquez
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Diego Velazquez Detail of The Spinners or The Fable of Arachne
new3/Diego Velazquez-868582.jpg mk61
c.1657
Oil on canvas
167x252cm with additions 220x289cm
Diego Velazquez Prince Baltasar Carlos in Hunting Dress(detail)
new3/Diego Velazquez-564243.jpg mk64
1635-1636
Oil on canvas
191x102cm
Madrid,Museo Nacional del Prado
Diego Velazquez Equestraian Portrait of Gaspar de Guzman,Duke of Olivares
new4/Diego Velazquez-343699.jpg mk68
Oil on canvas
Madrid,Prado
c.1632-1634
Spain
Diego Velazquez Portrait of Philip IV of Spain in Brwon and Silver
new9/Diego Velazquez-852975.jpg mk86
1631-1632
Oil on canvas
199.5x113cm
London,National Gallery
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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