100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Caspar David Friedrich Schwaene im Schilf
new24/Caspar David Friedrich-463863.jpg English: 1819 - 1820
Medium Oil on canvas
Dimensions 36 X 44 cm (14.17 X 17.32 in)
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Caspar David Friedrich Picture in Remembrance of Johann Emanuel Bermer
new24/Caspar David Friedrich-573966.jpg Picture in Remembrance of Johann Emanuel Bermer
1830-35
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Caspar David Friedrich Ruine Oybin bei Mondschein
new24/Caspar David Friedrich-463956.jpg "Ruine Oybin bei Mondschein" - Gemälde/Transparentbild, zugeschrieben Caspar David Friedrich; eventuell aber von seinem SchXler Ernst Ferdinand Oehme, 1810 oder 1832
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Caspar David Friedrich Bohmische Landschaft mit dem Milleschauer
new24/Caspar David Friedrich-738437.jpg Bohmische Landschaft mit dem Milleschauer
ca. 1810(1810)
cjr
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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