100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Francisco de Goya
Spanish
1746-1828
Francisco de Goya Locations
was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso.
Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art.
In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom.
After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Francisco de Goya Don Jose alvarez de Toledo y Gonzaga (1756-1796), 15th Duke of Medina Sidonia, 13th Duke of Alba and 11th Marquis of Villafranca
new25/Francisco de Goya-355696.jpg around 1795
Medium English: Oil on canvas
Dimensions 195 x 120 cm (76.8 x 47.2 in)
cjr
Francisco de Goya The Yard of a Madhouse
new25/Francisco de Goya-736798.jpg 1794(1794)
Medium oil on tinplate
Dimensions Height: 43.8 cm (17.2 in). Width: 31.7 cm (12.5 in).
cyf
Francisco de Goya Picador Caught by the Bull
new25/Francisco de Goya-578543.jpg 1793(1793)
Medium oil on tinplate
Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in).
cyf
Francisco de Goya woman and two children by a fountain
new25/Francisco de Goya-543333.jpg 1786(1786)
Medium oil on canvas
Dimensions 35.5 x 18.8 cm (14 x 7.4 in)
cyf
Francisco de Goya Friar Pedro Wrests the Gun from El Maragato
new25/Francisco de Goya-993898.jpg c. 1806(1806)
Medium oil on panel
Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in)
cjr
Francisco de Goya Friar Pedro Shoots El Maragato as His Horse Runs Off
new25/Francisco de Goya-367977.jpg c. 1806(1806)
Medium oil on panel
Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in)
cjr
Francisco de Goya Friar Pedro Clubs El Maragato with the Butt of the Gun
new25/Francisco de Goya-766679.jpg c. 1806(1806)
Medium oil on panel
Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in)
cjr
Francisco de Goya El Maragato Threatens Friar Pedro de Zaldivia with His Gun
new25/Francisco de Goya-888466.jpg c. 1806(1806)
Medium oil on canvas
Dimensions 29.2 X 38.5 cm (11.5 X 15.2 in)
cjr
Francisco de Goya Two Women Eating
new25/Francisco de Goya-596766.jpg between 1821(1821) and 1823(1823)
Medium Oil on plaster mounted on canvas
Dimensions Height: 53 cm (20.9 in). Width: 85 cm (33.5 in).
cyf
Francisco de Goya Two Monks
new25/Francisco de Goya-783885.jpg between 1821(1821) and 1823(1823)
Medium Oil on plaster mounted on canvas
Dimensions Height: 144 cm (56.7 in). Width: 66 cm (26 in).
cyf
Francisco de Goya A Pilgrimage to San Isidro
new25/Francisco de Goya-385995.jpg Oil on plaster mounted on canvas
Dimensions Height: 140 cm (55.1 in). Width: 438 cm (172.4 in).
cyf
Francisco de Goya Atropos
new25/Francisco de Goya-333795.jpg between 1821(1821) and 1823(1823)
Medium Oil on plaster mounted on canvas
Dimensions Height: 123 cm (48.4 in). Width: 266 cm (104.7 in).
cyf
Francisco de Goya La ultima comunien de san Jose de Calasanz
new25/Francisco de Goya-373464.jpg 1819(1819)
Medium oil on canvas
Dimensions 250 x 180 cm.
cyf
Francisco de Goya Portrat des Don Sebastian Gabriel de Borbon y Braganza
new25/Francisco de Goya-738333.jpg 1822(1822)
Medium oil on canvas
Dimensions Deutsch: 144 X 105 cm
cyf
Francisco de Goya Portrat der Dona Isabel Cabos de Porcel
new25/Francisco de Goya-767835.jpg 1805(1805)
Medium oil on canvas
Dimensions Deutsch: 81 X 54 cm
cyf
Francisco de Goya Der Kadaver des Jesuiten Brebeuf
new25/Francisco de Goya-777763.jpg Date 1800-1805
Medium oil on canvas
Dimensions 31 X 45 cm (12.2 X 17.7 in)
ttd
Francisco de Goya Don Pedro de alcantara Tellez Giron, The Duke of Osuna
new25/Francisco de Goya-848697.jpg around 1785
Medium English: Oil on canvas
Dimensions English: 113 x 83.2 cm
cjr
Spanish
1746-1828
Francisco de Goya Locations
was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso.
Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art.
In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom.
After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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