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Georges Seurat
circus
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mk247
1891,oil on canvas,73x59.875 in,185.5x152 cm,musee d orsay,paris,france
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Georges Seurat
taskspelarna
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mk248 en underbart atmosfarrik, skickligt komponerad bild av ett resand teatersallskap, vars olje ocb gaslyktor lyser upp uinterkvaallens morker ocb frestar publiken att uppleva en stunds underballende verkligbetsflykt.
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Georges Seurat
en sondagseftermiddag pa on la grande jatte
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mk248 seurats mest uppburna malning, slutprodukten av otaliga forberedande skisser ocb malade forovninger ocb blickfanget pa den e imperssionistsalongen, dar den forst stalldes ut. har bar konstnarens pintillstteknik framgangsrikt lyckats med att dromlikt uppdava tid ocb rorelse en varm. solig invid flodstranden.
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Georges Seurat
Island Bowl Sunday
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mk250 year in 1884-1886. Oil on canvas, 205.7 x 304.8 cm. City of Chicago Art Institute of Chicago
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Georges Seurat
Le Chahut,
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Le Chahut, 1889-1890, Kröller-M??ller Museum, Otterlo, The Netherlands
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Georges Seurat
Detail from La Parade showing pointillism
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Detail from La Parade (1889) showing pointillism
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Georges Seurat
Sunday Afternoon on the Island of La Grande Jatte,
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Sunday Afternoon on the Island of La Grande Jatte, 1884-1886, The Art Institute of Chicago.
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Georges Seurat
Bathers at Asnieres
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Bathers at Asnieres, 1884, National Gallery, London
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Georges Seurat
The Models,
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The Models, 1888, Barnes Foundation, Merion, PA
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Georges Seurat
Gray weather, Grande Jatte,
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Gray weather, Grande Jatte, 1888, Philadelphia Museum of Art
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Georges Seurat
The Circus,
new21/Georges Seurat-877622.jpg
The Circus, 1891, Mus??e d'Orsay Paris
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Georges Seurat
Georges Seurat
new23/Georges Seurat-999354.jpg
Technique Deutsch: Öl auf Leinwand
Dimensions 65 X 81 cm (25.59 X 31.89 in)
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Georges Seurat
parispromenad
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1886
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Georges Seurat
en eftermiddag pa la grande jatte
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1884
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Georges Seurat
en sommarsondag pa la grande jatte
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1884/1886
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Georges Seurat
fiskeflottan utanfor port
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1888
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Georges Seurat
ung kvinna som pudrar sig
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1889/1890
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Georges Seurat
Auf einer Wiese sitzender Knabe
new23/Georges Seurat-648458.jpg
Medium Oil on canvas
Dimensions Expression error: Missing operand for *65 ?? 81 cm
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Georges Seurat
batbers at asnieres
new23/Georges Seurat-689364.jpg
mk290 1883-84 oil on canvas 200x300cm national gallery london
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Georges Seurat
A Sunday afternoon on the is land of la grande jatte
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mk290 1884 oil on can vas 207.6x308cm the art instiute of chicago memorial collection
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Georges Seurat
circus
new23/Georges Seurat-459766.jpg
mk290 1890-91 canvsa 73x59in musee d orsay paris
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Georges Seurat
mine
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mk290 1887-88 conte crayon 12x9in private collection
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Georges Seurat
Two Stonebreakers
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"Two Stonebreakers (formerly called Deux Moissoneurs)", oil on panel, by the French painter Georges Seurat. 6 in. x 9 3/4 in. Yale University Art Gallery, gift of Walter J. Kohler, B.A. 1925. Courtesy of Yale University, New Haven, Conn.
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Georges Seurat
Vache noire dans un Pre
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"Vache noire dans un PrX (Black Cow in a Meadow)," oil on panel, by the French artist Georges Seurat. 6 1/8 in. x 9 1/2 in. Yale University Art Gallery, gift of Walter J. Kohler, B.A. 1925. Courtesy of Yale University, New Haven, Conn.
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Georges Seurat
Le Pecheur
new24/Georges Seurat-336743.jpg
"Le Pecheur (Riverman; Fisherman)," oil on panel, by the French artist Georges Seurat. 13 3/16 in. x 16 13/16 in. Yale University Art Gallery, bequest of Edith Malvina K. Wetmore. Courtesy of Yale University, New Haven, Conn.
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Georges Seurat
Two Stonebreakers
new24/Georges Seurat-635444.jpg
English: "Two Stonebreakers (formerly called Deux Moissoneurs)", oil on panel, by the French painter Georges Seurat. 6 in. x 9 3/4 in. Yale University Art Gallery, gift of Walter J. Kohler, B.A. 1925. Courtesy of Yale University, New Haven, Conn.
Date circa 1881
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Georges Seurat
Vache noire dans un Pre
new24/Georges Seurat-635997.jpg
English: "Vache noire dans un Pre (Black Cow in a Meadow)," oil on panel, by the French artist Georges Seurat. 6 1/8 in. x 9 1/2 in. Yale University Art Gallery, gift of Walter J. Kohler, B.A. 1925. Courtesy of Yale University, New Haven, Conn.
Date ca. 1881
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Georges Seurat
Le Pecheur
new24/Georges Seurat-868549.jpg
English: "Le Pecheur (Riverman; Fisherman)," oil on panel, by the French artist Georges Seurat. 13 3/16 in. x 16 13/16 in. Yale University Art Gallery, bequest of Edith Malvina K. Wetmore. Courtesy of Yale University, New Haven, Conn.
Date circa 1884
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Georges Seurat
La Maria, Honfleur
new24/Georges Seurat-396953.jpg
Date 1886(1886)
Medium Oil on canvas
Dimensions 52.7 x 63.5 cm (20.7 x 25 in)
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Georges Seurat
Honfleur
new25/Georges Seurat-363865.jpg
1886(1886)
Medium Oil on canvas
Dimensions 52.7 x 63.5 cm (20.7 x 25 in)
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Georges Seurat
French Pointillist Painter, 1859-1891
Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting
Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism.
His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations".
Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.
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