100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Jean-Auguste Dominique Ingres
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Jean-Auguste Dominique Ingres apotheosis of homer
new20/Jean-Auguste Dominique Ingres-442582.jpg mk247
1827,oil on canvas,152x201.5 in,386x512 cm,louvre,paris,france
Jean-Auguste Dominique Ingres Song Yu Nu Figure Valbandon
new20/Jean-Auguste Dominique Ingres-997547.jpg mk255 for in 1808. 1.46 x 0.97 meters canvas. Paris, the Louvre
Jean-Auguste Dominique Ingres Mr. Bertin portrait
new20/Jean-Auguste Dominique Ingres-783892.jpg mk255 for in 1832. 1.16 x 0.95 meters canvas. Paris, the Louvre
Jean-Auguste Dominique Ingres The Violinist Niccol
new21/Jean-Auguste Dominique Ingres-348445.jpg 1819 Pencil, 298 x 218 mm Mus?e du Louvre, Paris Ingres was a life-long proponent of the primacy of line over colour. His service to art lay in his abilities as a portraitist and as one of the most important draughtsmen of the century. His portrait drawings are remarkable for their psychological empathy and the enormous subtlety with which light and surface area are treated. Ingres, himself a talented violinist, drew a portrait of Niccol?Paganini - at that stage at the very beginning of his career - probably as a reminder of concerts the two friends had performed together. Listen to an example of Paganini's music
Jean-Auguste Dominique Ingres Roger delivrant Angelique
new24/Jean-Auguste Dominique Ingres-454595.jpg Date 1819
Medium Oil on canvas
Dimensions English: (147 x 190 cm) (57.9 x 74.8 in)
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Jean-Auguste Dominique Ingres Portrait of the King Charles X of France in coronation robes
new24/Jean-Auguste Dominique Ingres-959638.jpg Date 1829(1829)
Medium Oil on canvas
Dimensions 129 x 90 cm (50.8 x 35.4 in)
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Jean-Auguste Dominique Ingres Portrait de Napoleon Bonaparte en premier consul
new24/Jean-Auguste Dominique Ingres-986785.jpg 1803-1804
Medium Oil on canvas
Dimensions 226 x 144 cm
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Jean-Auguste Dominique Ingres Napoleon on his Imperial throne
new24/Jean-Auguste Dominique Ingres-875498.jpg 1806(1806)
Medium Oil on canvas
Dimensions 260 x 163 cm (102.4 x 64.2 in)
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Jean-Auguste Dominique Ingres Portrait of Monsieur Riviere
new24/Jean-Auguste Dominique Ingres-346954.jpg 1805. Oil on canvas. Louvre, Paris, France. More.
Date 1805(1805)
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Jean-Auguste Dominique Ingres Portrat Napoleon Bonapartes
new24/Jean-Auguste Dominique Ingres-473384.jpg 1803-1804
Medium Oil on canvas
Dimensions 226 x 144 cm (89 x 56.7 in)
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Jean-Auguste Dominique Ingres Portrat Napoleon Bonapartes als Erster Konsul
new24/Jean-Auguste Dominique Ingres-889667.jpg 1803-1804
Medium Oil on canvas
Dimensions 226 x 144 cm (89 x 56.7 in)
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Jean-Auguste Dominique Ingres Napoleon on his Imperial throne
new24/Jean-Auguste Dominique Ingres-484643.jpg 1806(1806)
Medium Oil on canvas
Dimensions 260 x 163 cm (102.4 x 64.2 in)
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French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
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