100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Edgar Degas Degas and Evariste de Valernes(1816-1896)
Edgar Degas123.jpg Painter and friend of the Artist,ca.1865
3' 9 3/4'' x 2' 11''(116 x 89cm)
Gift of Gabriel Fevre,1931
Edgar Degas Louis-Marie Pilet
Edgar Degas130.jpg 1815-1877,Violoncellist in the Orchestra of the Opera,1868-1869
1' 8'' x 2'(50.5 x 61 cm)
Gift of Charles Comiot,1926
Edgar Degas Lorenzo Pagans and Auguste de Gas
Edgar Degas131.jpg the artist's Father,ca 1871-1872
1' 9 1/2'' x 1' 3 3/4''(54.5 x 40 cm)
Gift of Societe des Amis du Louvre,1933
Edgar Degas The Race Track Amateur Jockeys near a Carriage
Edgar Degas136.jpg ca 1877-1880
2' 2'' x 2' 8''(66 x 81 cm)Bequest of Count Isaac de Camondo,1911
Edgar Degas Race Horses before the Stands
Edgar Degas137.jpg ca 1879(also dated 1866-1868)
1' 6'' x 2'(46 x 61 cm)Bequest of Count Isaac de Camondo,1911
French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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