100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Jean Baptiste Camille Corot
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Jean Baptiste Camille Corot The Studio (mk09)
new6/Jean Baptiste Camille Corot-475636.jpg 1866
(Young Woman with a Mandolin)
OIl on canvas,64 x 48 cm
Paris,Musee National du Louvre
Jean Baptiste Camille Corot THe boatman of mortefontaine
new4/Jean Baptiste Camille Corot-363234.jpg mk76
Painted between 1865 and 1870
Oil on canvas
24x35 3/8in
Jean Baptiste Camille Corot View of the Colosseum from the Farnese Gardens
new9/Jean Baptiste Camille Corot-892587.jpg mk87
1826
Oil on cardboard on canvas
30x49cm
Paris,Musee National du Louvre
Jean Baptiste Camille Corot Le Coup du Vent
new9/Jean Baptiste Camille Corot-427463.jpg mk87
c.1865-1870
Oil on canvas
47.4x58.9cm
Reims,Musee Saint Denis
Jean Baptiste Camille Corot The Colosseum View frome the Farnese Gardens
new16/Jean Baptiste Camille Corot-268843.jpg mk156
1829
Oil on paner mounted on canvas
30x49cm
Jean Baptiste Camille Corot Landscape with a peasant Girl grazing a Cow at the Edge of a Forest
new16/Jean Baptiste Camille Corot-689962.jpg mk159
1865-70
Oil on canvas
47.5x35cm
Jean Baptiste Camille Corot The Roman Campagna,with the Claudian Aqueduct
new16/Jean Baptiste Camille Corot-292542.jpg mk170
1826
Oil on paper
21.6x33cm
Jean Baptiste Camille Corot skottkarran
new20/Jean Baptiste Camille Corot-847934.jpg mk248 i likbet med millet ocb daumie bade pissarro en djup respekt for arbetare dessutom var ban involverad i socialistisk politik. aven om ban var val bekant med umbaranden avbildade ban aldrig kroppsarbete som nagot svart eller mindervrdigt arbete reglerar krop ocb sjal pa ett underbart satt. fag glommer all sorg ovb bitterbet ocb kan till ocb med strunta i det for arbetets gladje. har bar en kvinna med balm i famnen stannat till under vad liknar en trium fbage formad av appeltraden.
Jean Baptiste Camille Corot appelskord i ariccia
new20/Jean Baptiste Camille Corot-742643.jpg mk248 ettav corots silverskimrande landskap i vilket ban fangar en ogonblicksbild av ljud ocb rorelse pa ett sadant utsokt satt att bans appek plockerska nastsn kunde uara en av nymferna i en claude lorrains bilder hennes nagot diffusa gestalt bar knappast vittnesbord om att corot senare skull bli en driven malare av kvinnoportratt ocb kvinnostudier,
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
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