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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
100% hand painted, 100%
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Jean Auguste Dominique Ingres La Baigneuse de Valpincon
new3/Jean Auguste Dominique Ingres-962625.jpg mk62
1808
Huile sur toile
146x98cm
Paris,musee du Louvre
Jean Auguste Dominique Ingres Napoleon I on his Imperial Throne
new21/Jean Auguste Dominique Ingres-983889.jpg Napoleon I on his Imperial Throne, 1806, oil on canvas, 260 x 163 cm, Mus??e de l'Arm??e, Paris
Jean Auguste Dominique Ingres Madame Riviere
new21/Jean Auguste Dominique Ingres-467554.jpg Madame Riviere, 1806, oil on canvas, 116.5 x 81.7 cm, Louvre
Jean Auguste Dominique Ingres La Grande Odalisque
new21/Jean Auguste Dominique Ingres-774345.jpg La Grande Odalisque, 1814, oil on canvas, 91 x 162 cm, Louvre. The subject's elongated proportions, reminiscent of 16th-century Mannerist painters, reflect Ingres's search for the pure form of his model
Jean Auguste Dominique Ingres The Turkish Bath
new21/Jean Auguste Dominique Ingres-339236.jpg The Turkish Bath, 1862, oil on canvas, diam. 108 cm, Louvre. A summation of the theme of female voluptuousness attractive to Ingres throughout his life, rendered in the circular format of earlier masters.
Jean Auguste Dominique Ingres Odalisque with a Slave
new21/Jean Auguste Dominique Ingres-627496.jpg Odalisque with a Slave, 1842, oil on canvas, 76 x 105 cm, Walters Art Gallery, Baltimore
Jean Auguste Dominique Ingres Roger Freeing Angelica
new21/Jean Auguste Dominique Ingres-694859.jpg Roger Freeing Angelica, 1819, oil on canvas, 147 x 190 cm, Louvre, portrays an episode from Orlando Furioso by Ludovico Ariosto
Jean Auguste Dominique Ingres Marcotte d Argenteuil
new21/Jean Auguste Dominique Ingres-476297.jpg Marcotte d'Argenteuil, 1810, National Gallery of Art
Jean Auguste Dominique Ingres Mademoiselle Jeanne Suzanne Catherine Gonin
new21/Jean Auguste Dominique Ingres-689983.jpg Mademoiselle Jeanne-Suzanne-Catherine Gonin, 1821 Taft Museum of Art
Jean Auguste Dominique Ingres Louise de Broglie, Countess d Haussonville
new21/Jean Auguste Dominique Ingres-793774.jpg Louise de Broglie, Countess d'Haussonville, 1845, Frick Collection
Jean Auguste Dominique Ingres Princesse Albert de Broglie,
new21/Jean Auguste Dominique Ingres-344939.jpg Princesse Albert de Broglie, n??e Jos??phine-El??onore-Marie-Pauline de Galard de Brassac de B??arn, 1853, Metropolitan Museum of Art
Jean Auguste Dominique Ingres akilles mottager i sitt talt agamenons sandebud
new22/Jean Auguste Dominique Ingres-839844.jpg olja pa tra. nationalmuseum
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Jean Auguste Dominique Ingres Joan of Arc at the Coronation of Charles VII.
new22/Jean Auguste Dominique Ingres-362965.jpg Joan of Arc at the Coronation of Charles VII. Oil on canvas, painted in 1854.
Jean Auguste Dominique Ingres Portrait of Madame Paul Sigisbert Moitessier
new23/Jean Auguste Dominique Ingres-663344.jpg Medium Oil on canvas
Dimensions Expression error: Missing operand for *120 ?? 92.1 cm
Jean Auguste Dominique Ingres Gianciotto Discovers Paolo and Francesca
new23/Jean Auguste Dominique Ingres-359375.jpg Gianciotto Discovers Paolo and Francesca Jean Auguste Dominique Ingres
Jean Auguste Dominique Ingres Madame Paul-Sigisbert Moitessier
new23/Jean Auguste Dominique Ingres-574689.jpg Date 1856(1856)
Medium Oil on canvas
Dimensions 120 x 92 cm (47.24 x 36.22 in)
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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