100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Andrea del Sarto Madonna and child with Sts Catherine and Elizabeth,and St John the Baptist
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c.1519
Oil on canvas
transferred from panel
102x80cm
Andrea del Sarto The Madonna and the Nino, with Holy Isabel and the young one San Juan
new16/Andrea del Sarto-296636.jpg mk166
1528
I Wave on board of wood
140x104cm
Galeria Palace Pitti Florence
Andrea del Sarto Sounds appealing with holy
new16/Andrea del Sarto-552324.jpg mk166
1523
I Wave on board of wood
238.5x198.5cm Galeria Palace Pitti, Florence
Andrea del Sarto The Asuncion of the Virgin, with holy
new16/Andrea del Sarto-366528.jpg mk166
1518 Board of wood
362x209cn Galeria Palace
Pitti Florence
Andrea del Sarto THe Madonna and Child with Saint Elzabeth and Saint John the Baptist
new16/Andrea del Sarto-357925.jpg mk170
Circa 1515
Oil on wood
106x81.3cm
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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