100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Francesco Hayez
1791-1882
Italian
Francesco Hayez Galleries
Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there.
Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Francesco Hayez Destruction of the Temple of Jerusalem
new21/Francesco Hayez-354878.jpg Destruction of the Temple of Jerusalem (1867)
Galleria d'Arte Moderna, Venice
Francesco Hayez Portrait of Antonietta Negroni Prati Morosini, Oval
new21/Francesco Hayez-668949.jpg Portrait of Antonietta Negroni Prati Morosini, Oval (1872)
Civica Galleria d'Arte Moderna, Milan
Francesco Hayez Vase of Flowers on the Window of a Harem
new21/Francesco Hayez-479456.jpg Vase of Flowers on the Window of a Harem (1881)
Pinacoteca di Brera, Milan
Francesco Hayez Bad der Nymphen Detail
new24/Francesco Hayez-393355.jpg Date 1831(1831)
Medium Oil on canvas
Current location Private collection
Deutsch: Lugano
cyf
Francesco Hayez The Two Foscari: Francesco Foscari, Doge of Venice banishing his son Jacopo on the charge of treasonable correspondence while in exile
new24/Francesco Hayez-933634.jpg The Two Foscari: Francesco Foscari, Doge of Venice (c. 1372-1457) banishing his son Jacopo on the charge of treasonable correspondence while in exile; subject of Bryon's poetic drama 'The Two Foscari'"
The Two Foscari (Title by WGA)
ca. 1852(1852)
Oil on canvas
168 cm (66.1 in). Height: 121 cm (47.6 in).
cjr
Francesco Hayez Portrat der Prinzessin di Sant Antimo
new24/Francesco Hayez-634464.jpg 1840-1844
Medium Oil on canvas
Dimensions 117 x 89 cm (46.1 x 35 in)
cyf
Francesco Hayez Portrat der Antonietta Negroni Prati Morosini als Kind
new24/Francesco Hayez-366876.jpg 1858(1858)
Medium Oil on canvas
Dimensions Deutsch: 128 x 110 cm
cyf
1791-1882
Italian
Francesco Hayez Galleries
Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there.
Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.
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