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Samuel Palmer
King Arthur s Castle,Tintagel,Cornwall
new2/Samuel Palmer-729763.jpg
mk49
1848-9
Watercolour,gouache,graphite,black chalk and brown ink on buff wove paper
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Samuel Palmer
Farewell to Calypso
new2/Samuel Palmer-836327.jpg
mk49
Watercolour,gouache and gold on London board
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Samuel Palmer
Sheltering from the Storm
new2/Samuel Palmer-632453.jpg
mk49
1849
Watercolour and gouache on buff paper
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Samuel Palmer
The Willow
new2/Samuel Palmer-662437.jpg
mk49
1850
Etching,sheet
18.8x14.6cm
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Samuel Palmer
Storm and Wreck on the Cornish Coast
new2/Samuel Palmer-223763.jpg
mk49
c.1858
Watercolour,gouache,brown wash and black chalk on grey paper
18.8x27.4cm
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Samuel Palmer
The Sleeping Shepherd
new2/Samuel Palmer-993579.jpg
mk49
c.1854
Watercolour,gouache,gum arabic,brown ink and traces of graphite on off-white wove paper laid down onto secondary support
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Samuel Palmer
The Comet of 1858,as Seen from the Heights of Dartmoor
new2/Samuel Palmer-488559.jpg
mk49
1858-9
Watercolour and gouache
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Samuel Palmer
The Sheep Shearers
new2/Samuel Palmer-779965.jpg
mk49
1863
Watercolour and gouache,over traces of graphite
21.2x43.8cm
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Samuel Palmer
A Wagoner Returning Home
new2/Samuel Palmer-656597.jpg
mk49
c.1865
Watercolour,gouche and graphite
19.7x43.2cm
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Samuel Palmer
The Propect
new2/Samuel Palmer-284978.jpg
mk49
1881
Watercolour with gouache
50x70.4cm
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Samuel Palmer
The Waters Murmuring
new2/Samuel Palmer-854524.jpg
mk49
c.1880
Watercolour with gouache
50.8x69.8cm
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Samuel Palmer
The Curfew or The Wide Water d Shore
new2/Samuel Palmer-875998.jpg
mk49
1870
Watercolour and gouache on London board,
50x71.1cm
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Samuel Palmer
A Towered City or The Haunted Stream
new2/Samuel Palmer-595296.jpg
mk49
c.1868
Watercolour and gouache with gum on London board
51.1x70.8cm
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Samuel Palmer
A Towered City or The Haunted Stream
new2/Samuel Palmer-974589.jpg
mk49
c.1868
Brown wash with white body colour on card
20.2x28.4cm
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Samuel Palmer
The Lonely Tower
new2/Samuel Palmer-656244.jpg
mk49
1867-8
Watercolour and body colour
51x70.5cm
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Samuel Palmer
The Lonely Tower
new2/Samuel Palmer-773638.jpg
mk49
before 1881
Watercolour,
16.5x23.5cm
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Samuel Palmer
The Bellman
new2/Samuel Palmer-884679.jpg
mk49
before 1881
Watercolour
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Samuel Palmer
Till Vesper Bade the Swain
new2/Samuel Palmer-488585.jpg
mk49
1879
Watercolour
12.5x19.2cm
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Samuel Palmer
Tityrus Restored to his Patrimony
new2/Samuel Palmer-883465.jpg
mk49
c.1874
Watercolour and gouache,with touches of gum arabic on card laid down on paper
50.2x69.9cm
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Samuel Palmer
Classical River Scene
new2/Samuel Palmer-397732.jpg
mk49
c.1878
Watercolour and gouache on card,
23.1xx35.2cm
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Samuel Palmer
Self-Portrait
new2/Samuel Palmer-356625.jpg
mk52
c.1826
Black chalk heightened with white on buff paper
29.2x22.8cm
Ashmolean Museum,Oxford
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Samuel Palmer
A dream in the Apennine
new9/Samuel Palmer-866566.jpg
mk47
Watercolour and bodycolour
660x1016mm
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Samuel Palmer
Coming frome Evening
new9/Samuel Palmer-497995.jpg
mk81
Church 1830
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Samuel Palmer
The Waterfalls,Pistil Mawddach
new9/Samuel Palmer-778637.jpg
mk81
North Wales 1835-5
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Samuel Palmer
Home from aftonsangen
new19/Samuel Palmer-953769.jpg
mk234
1830
30x20cm
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Samuel Palmer
landscape with repose of the holy family
new20/Samuel Palmer-253974.jpg
mk247
1825,oil and tempera on panel ,12.25x15.375 in,31x39 cm,ashmolean museum,oxford,uk
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Samuel Palmer
Self-Portrait
new21/Samuel Palmer-274443.jpg
1825 Black chalk heightened with white on buff paper, 291 x 229 mm Ashmolean Museum, Oxford This extraordinary self-portrait the artist drew around 1825, with hollow and haunted eyes, seems an attempt to understand the processes at work within him and projected on to the pages of his sketchbooks. Author: PALMER, Samuel Title: Self-Portrait Form: graphics , 1801-1850 , English , portrait
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Samuel Palmer
1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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