100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Philipp Otto Runge
German Romantic Painter, 1777-1810
..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Philipp Otto Runge Gruppenportrat von Philipp Otto Runge mit Selbstdarstellung des Kunstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Ru
new24/Philipp Otto Runge-975388.jpg Gruppenporträt von Philipp Otto Runge mit Selbstdarstellung des KXnstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Runge (links).
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Philipp Otto Runge seiner Frau
new24/Philipp Otto Runge-499848.jpg Deutsch: Gruppenporträt von Philipp Otto Runge mit Selbstdarstellung des Kenstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Runge (links).
Date 1805
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Philipp Otto Runge Portrait of Otto Sigismund, the artists son
new24/Philipp Otto Runge-899748.jpg 1805(1805)
Oil on canvas
40 x 35.5 cm (15.7 x 14 in)
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Philipp Otto Runge Portrait of Friedrich August von Klinkowstrom
new26/Philipp Otto Runge-456689.jpg 1808(1808)
Medium oil on canvas
Dimensions 64 X 48 cm
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German Romantic Painter, 1777-1810
..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
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