100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Henri de toulouse-lautrec
1864-1901
French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Henri de toulouse-lautrec at the cirque fernando the ringmaster
new20/Henri de toulouse-lautrec-237898.jpg mk247
1887 to 88,oil on canvas,40x63 in,103x161 cm,joseph winterbottom collection,chicago,il,usa
Henri de toulouse-lautrec the bed
new20/Henri de toulouse-lautrec-473776.jpg mk247
1892,oil on cardboard,21x27 in,54x70.5 cm,musee d orsay,paris,france
Henri de toulouse-lautrec Moulin Rouge
new20/Henri de toulouse-lautrec-462276.jpg mk250 AD 1892 - 1895 years. Oil on canvas, 121.9 x 140 cm. City of Chicago Art Institute of Chicago.
Henri de toulouse-lautrec Self portrait in the crowd, at the Moulin Rouge
new21/Henri de toulouse-lautrec-385739.jpg Self-portrait in the crowd, at the Moulin Rouge
Henri de toulouse-lautrec La Goulue arriving at the Moulin Rouge
new21/Henri de toulouse-lautrec-443457.jpg La Goulue arriving at the Moulin Rouge (1892).
Henri de toulouse-lautrec The clown Cha U Kao at the Moulin Rouge
new21/Henri de toulouse-lautrec-436289.jpg The clown Cha-U-Kao at the Moulin Rouge (1895)
Henri de toulouse-lautrec The Medical Inspection at the Rue des Moulins Brothel
new21/Henri de toulouse-lautrec-876644.jpg The Medical Inspection at the Rue des Moulins Brothel
1864-1901
French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
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