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Hans Holbein
Konstnarens with wife Katherine and Philipp
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mk234
about 1528
77x65cm
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Hans Holbein
sir richard southwell
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mk248 nar det bar par portrattet malades bade soutbwell varit sberiff av suffolk ocb norfolk i tva ar, trots att ban blivit domd for mord, holbein formedlar en viss obebaglig kansla bos mannen men som alltid pa sitt objektiva satt, den orakade bakan nedanfor den banfulla munnen drar askadarens blickar till arret pa balsen.
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Hans Holbein
anna av kleve
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mk248 tudorperioden var intrigernas ocb svekens tid. i det bar portattet av henrik viii s fjarde bustru bar holbein kanske med sin omsorgfulla penselforing slatat over de drag som fick kungen att kalla balla marren fran flandern nar ban traffade benne forsta gangen . hennes dyrbart utmyckade kladsel drar blickarna fran ansiktsuttrycket. kan det ba varit en ledtrad for nar kungen ocb anna val bade gift sig var henrik var henrik redan beredd att bestalla holbeins portratt av busteu nummer fem.
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Hans Holbein
Our Lady Meyer
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mk252 Linden wood painting 146.5 x 102 cm in 1526
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Hans Holbein
John
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mk252 Toner on the specialty paper, black ink, watercolors, opaque watercolor 36.3 x 29.5 cm in 1526
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Hans Holbein
Nicolas Clerides Zheer
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mk252 oak panel painting 83 x 67 cm in 1528
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Hans Holbein
Ward Tuomasihe
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mk252 oil painting of wood 80.3 x 61.6 cm
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Hans Holbein
Do not touch me
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mk252 oak panel painting 76.7 x 95.8 cm
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Hans Holbein
With squirrels and birds swept Europe and the portrait of woman
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mk252 oak panel painting 56 x 38.8 cm in 1528
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Hans Holbein
Robert Qiesi Man
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mk252 oak panel painting 59 x 62 cm in 1533
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Hans Holbein
The birth of Christ
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mk252 oak plank oil painting 74.9 x 60.3 centimeters in 1527
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Hans Holbein
Childhood portrait of Edward V
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mk252 oak oil painting 57 x 44 cm
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Hans Holbein
Queen s portrait of Farmer Zhansai
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mk252 oil painting oak 65.4 x 40.7 cm
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Hans Holbein
Henry VIII portrait
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mk252 oak panel painting 28 x 20 cm
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Hans Holbein
Rotterdam's Erasmus and the Renaissance portrait Bizhu
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mk252 Oil painting of wood 73.6 x 51.4 cm in 1523
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Hans Holbein
Denmark s Christina
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mk252 oak panel painting 179.1 x 28.6 cm
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Hans Holbein
Anne Clive
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mk252 parchment oil painting 65 x 48 cm
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Hans Holbein
Ximengqiaozhi
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mk252 oil painting of wood 31 centimeters in diameter
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Hans Holbein
Hermann von portrait
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mk252 oil painting of wood 41.9 x 31.8 cm in 1532
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Hans Holbein
Qiao Zhiji portrait of businessman Serge
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mk252 oak panel painting 96.3 x 85.7 cm
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Hans Holbein
Diplomats
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mk252 oak panel painting 206 x 209 cm in 1533
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Hans Holbein
Graves of the dead in Christ
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mk252 linden wood canvas 30.5 x 200
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Hans Holbein
Molette the Lord
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mk252 oak panel painting 92.5 x 75.4 cm
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Hans Holbein
Sir Richard Shaoenweier
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mk252 oil painting of wood 47.5 x 38.8 cm in 1536
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Hans Holbein
Henry geyl Forder Knight
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mk252 plank oil painting 82.6 x 66.4 centimeters in 1527
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Hans Holbein
Ms. Gaierfude
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mk252 oak panel painting 80 x 65 cm in 1527
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Hans Holbein
Weilianwoer portrait classes
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mk252 oak panel painting 82 x 67 cm in 1527
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Hans Holbein
The artist s wife abuse
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mk252 paper board painting 77 x 64 cm
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Hans Holbein
The Last Supper
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mk252 Oil on canvas 144 x 155 cm
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Hans Holbein
Olive Hill, Christian
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mk252 Oil on canvas 135 x 132 cm
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Hans Holbein
German
1497-1543
Hans Holbein Galleries
Holbein always made highly detailed pencil drawings of his portrait subjects, often supplemented with ink and colored chalk. The drawings emphasize facial detail and usually did not include the hands; clothing was only indicated schematically. The outlines of these drawings were then transferred onto the support for the final painting using tiny holes in the paper through which powdered charcoal was transmitted; in later years Holbein used a kind of carbon paper. The final paintings thus had the same scale as the original drawings. Although the drawings were made as studies for paintings, they stand on their own as independent, finely wrought works of art. How many portraits have been lost can be seen from Holbein's book (nearly all pages in the Royal Collection) containing preparatory drawings for portraits - of eighty-five drawings, only a handful have surviving Holbein paintings, though often copies have survived.
David Hockney has speculated in the Hockney-Falco thesis that Holbein used a concave mirror to project an image of the subject onto the drawing surface. The image was then traced. However this thesis has not met with general acceptance from art historians.
A subtle ability to render character may be noted in Holbein's work, as can be seen in his portraits of Thomas Cromwell, Desiderius Erasmus, and Henry VIII. The end results are convincing as definitive images of the subjects' appearance and personality.
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