100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Francesco Guardi
1712-1793
Italian
Francesco Guardi Galleries
Francesco Guardi was born in Venice into a family of lesser nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolo and Gian Antonio were also painters, the latter inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sister Maria Cecilia married the pre-eminent Veneto-European painter of his epoch, Giovanni Battista Tiepolo.
In 1735, Guardi moved to the workshop of Michele Marieschi, where he remained until 1743. His first certain works is from 1738, for a parish at Vigo d'Anuania, in Trentino. In this period he worked alongside his better-known brother, Gian Antonio. The first work signed by Francesco is a Saint Adoring the Eucarist (circa 1739).
His works in this period included landscapes as well as figure representations. His early vedutas show influence both from Canaletto and Luca Carlevarijs. On February 15, 1757 he married Maria Mattea Pagani, the daughter of painter Matteo Pagani. In the same year his brother Gian Antonio died and his first son, Vincenzo, was born. His second son, Giacomo, was born in 1764.
In 1763 he worked in Murano, in the church of San Pietro Martire, finishing a Miracle of a Dominican Saint clearly influenced by Alessandro Magnasco in its quasi-expressionistic style.
Francesco Guardi's most important later works include the Doge's Feasts, a series of twelve canvases celebrating the ceremonies held in 1763 for the election of Doge Alvise IV Mocenigo. In his later years, Canaletto's influence on his art diminished, as showed by the Piazzetta in the Ca' d'Oro of Venice. In circa 1778, he painted the severe Holy Trinity Appearing to Sts. Peter and Paul in the parish church of Roncegno.
Miracle of a Dominicane Saint (1763), Lugano, private collection.In 1782 Guardi was commissioned by the Venetian government six canvases to celebrate the visit of the Russian Archdukes in the city, of which only two remain, and two others for that of Pope Pius VI. On September 12 of that year he was admitted to the Fine Art Academy of Venice.
A stronger attention to colours is present in late works such as the Concerto of 80 Orphans of 1782, now in Munich, in the Façade of Palace with Staircase in the Accademia Carrara of Bergamo.
Guardi died at Venice in 1793.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Francesco Guardi Santa Maria della Salute
new16/Francesco Guardi-229373.jpg MK169
Venetie
ca. 1765 oil Paint on cloth 48.3x38.4cm National Gallery or Scotland
Francesco Guardi The Doge-s Palace and the Molo from the Basin of San Marco
new16/Francesco Guardi-797464.jpg mk170
circa 1770
Oil on canvas
58.1x76.4cm
Francesco Guardi venice acrooss the basin of san marco
new20/Francesco Guardi-582984.jpg mk247
c.1760,oil on canvas,21.5x34 in,54.5x86.5 cm,private collection
Francesco Guardi The Lagoon Looking Towards Murano from the Fondamenta Nuova
new21/Francesco Guardi-877486.jpg The Lagoon Looking Towards Murano from the Fondamenta Nuova (1765-70) Oil on canvas, 31,7 x 52,7 cm. Fitzwilliam Museum, Cambridge.
Francesco Guardi Le solennit dogali
new22/Francesco Guardi-844277.jpg Francesco Guardi, dipinto della serie: "Le solennit?? dogali", scena: Il Bucintoro naviga verso san Nicol?? di Lido, il giorno dell'Ascensione. Dipinto verso il 1775-1780.
Francesco Guardi The Little Square of St. Marc
new23/Francesco Guardi-599799.jpg The Little Square of St. Marcus", Oil painting, Francesco Guardi (1712?C1793)
c.1780
Francesco Guardi Der Bucintoro vor San Nicolo di Lido
new23/Francesco Guardi-883586.jpg Medium Oil on canvas
Dimensions Expression error: Missing operand for *50 ?? 80 cm
Francesco Guardi The Little Square of St. Marcus
new24/Francesco Guardi-745988.jpg "The Little Square of St. Marcus", Oil painting, Francesco Guardi (1712?C1793)
cjr
Francesco Guardi Schiffe im Meeresgewitter
new24/Francesco Guardi-789575.jpg Date 1765-1770
Medium Oil on canvas
Dimensions 33 ?? 45 cm (13 ?? 17.7 in)
cyf
Francesco Guardi View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal, Venice,
new24/Francesco Guardi-993468.jpg View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal, Venice, oil on panel painting by Francesco Guardi, National Museum of Wales.
cjr
Francesco Guardi Abfahrt des Bucentaur zum Lido
new24/Francesco Guardi-849955.jpg ca. between 1775(1775) and 1780(1780)
Oil on canvas
66 x 100 cm (26 x 39.4 in)
cjr
Francesco Guardi Fire in the San Marcuola Oil Depot
new24/Francesco Guardi-579746.jpg Date 1789(1789)
Medium Oil on canvas
Dimensions Height: 32 cm (12.6 in). Width: 51 cm (20.1 in).
cjr
1712-1793
Italian
Francesco Guardi Galleries
Francesco Guardi was born in Venice into a family of lesser nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolo and Gian Antonio were also painters, the latter inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sister Maria Cecilia married the pre-eminent Veneto-European painter of his epoch, Giovanni Battista Tiepolo.
In 1735, Guardi moved to the workshop of Michele Marieschi, where he remained until 1743. His first certain works is from 1738, for a parish at Vigo d'Anuania, in Trentino. In this period he worked alongside his better-known brother, Gian Antonio. The first work signed by Francesco is a Saint Adoring the Eucarist (circa 1739).
His works in this period included landscapes as well as figure representations. His early vedutas show influence both from Canaletto and Luca Carlevarijs. On February 15, 1757 he married Maria Mattea Pagani, the daughter of painter Matteo Pagani. In the same year his brother Gian Antonio died and his first son, Vincenzo, was born. His second son, Giacomo, was born in 1764.
In 1763 he worked in Murano, in the church of San Pietro Martire, finishing a Miracle of a Dominican Saint clearly influenced by Alessandro Magnasco in its quasi-expressionistic style.
Francesco Guardi's most important later works include the Doge's Feasts, a series of twelve canvases celebrating the ceremonies held in 1763 for the election of Doge Alvise IV Mocenigo. In his later years, Canaletto's influence on his art diminished, as showed by the Piazzetta in the Ca' d'Oro of Venice. In circa 1778, he painted the severe Holy Trinity Appearing to Sts. Peter and Paul in the parish church of Roncegno.
Miracle of a Dominicane Saint (1763), Lugano, private collection.In 1782 Guardi was commissioned by the Venetian government six canvases to celebrate the visit of the Russian Archdukes in the city, of which only two remain, and two others for that of Pope Pius VI. On September 12 of that year he was admitted to the Fine Art Academy of Venice.
A stronger attention to colours is present in late works such as the Concerto of 80 Orphans of 1782, now in Munich, in the Façade of Palace with Staircase in the Accademia Carrara of Bergamo.
Guardi died at Venice in 1793.
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