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Domenichino
Recreation by our Gallery
new9/Domenichino-667426.jpg
mk79
1614
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Domenichino
The Assumption of Mary Magdalen into Heaven
new9/Domenichino-932988.jpg
mk86
c.1617-1621
Oil on canvas
129x100cm
St Petersburg,Hermitage
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Domenichino
The Maiden and the Unicorn
new9/Domenichino-373343.jpg
mk86
c.1602
Fresco,Rome
Palazzo Farnese
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Domenichino
Saint George Killing the Dragon
new16/Domenichino-689453.jpg
mk170
circa 1610
Oil on wood
52.7x61.8cm
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Domenichino
Landscape with Tobias as far hold of the fish
new19/Domenichino-695864.jpg
mk234
probably
ca 1617-18
45x34cm
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Domenichino
The Assumption of Mary Magdalen into Heaven
new20/Domenichino-298649.jpg
mk244
c.1617-1621
Oil on canvas
129x100cm
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Domenichino
st.george killing the dragon
new20/Domenichino-725368.jpg
mk247
c.1610,oil on wood,20.75x24.12 in ,53x62 cm,national gallery,london,uk
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Domenichino
Martyrdom of St. Peter the Martyr,
new20/Domenichino-868983.jpg
Martyrdom of St. Peter the Martyr, c. 1619-21, Pinacoteca Nazionale di Bologna.
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Domenichino
A Virgin with a Unicorn
new20/Domenichino-752853.jpg
A Virgin with a Unicorn, c. 1604-05, fresco in Palazzo Farnese, Rome, by Domenichino after a design by Annibale Carracci
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Domenichino
St. Cecilia Distributing Alms
new20/Domenichino-665444.jpg
St. Cecilia Distributing Alms, fresco, 1612-15, San Luigi dei Francesi, Rome
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Domenichino
Last Communion of St. Jerome,
new20/Domenichino-769752.jpg
Last Communion of St. Jerome, 1614, Pinacoteca Vaticana
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Domenichino
Apparition of the Virgin and Child and San Gennaro at the Miraculous Oil Lamp
new20/Domenichino-394945.jpg
Apparition of the Virgin and Child and San Gennaro at the Miraculous Oil Lamp, 1637-38, Cathedral of Naples
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Domenichino
Abraham Leading Isaac to Sacrifice
new23/Domenichino-394463.jpg
oil on copper painting by Domenichino
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Domenichino
Assumption of Mary Magdalene into Heaven
new23/Domenichino-788366.jpg
Medium Oil on canvas
Dimensions ?? cm
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Domenichino
Ermordung des Hl. Petrus Martyr
new24/Domenichino-464775.jpg
c. 1618-1620
Oil on canvas
345 X 236 cm
cjr
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Domenichino
Ermordung des Hl Petrus Martyr
new24/Domenichino-974463.jpg
Deutsch: um 1618-1620
English: c. 1618-1620
Medium Oil on canvas
Dimensions Deutsch: 345 ?? 236 cm
cyf
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Domenichino
Portrait of Cardinal Agucchi
new24/Domenichino-335635.jpg
1605
cjr
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Domenichino
Zampieri (Domenichino)'s St John the Evangelist
new24/Domenichino-789987.jpg
Date 1624 - 1629
Medium Oil on canvas
Dimensions 259 x 199.4 cm
cjr
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Domenichino
Cumaean Sibyl
new24/Domenichino-563798.jpg
ca. 1622(1622)
Medium Oil on canvas
cyf
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Domenichino
Domenichino, The Way to Calvary
new25/Domenichino-937566.jpg
Oil on copper , 21 1/8 x 26 5/8 in., Getty Museum
Date ca. 1610(1610)
cjr
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Domenichino
Dieu reprimandant Adam et Eve
new25/Domenichino-759886.jpg
1623-1625
Medium Oil on canvas
Dimensions ~50 x 80 cm (19.7 x 31.5 in)
cyf
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Domenichino
Landscape with The Flight into Egypt
new25/Domenichino-668799.jpg
Date c. 1605(1605)
Medium Oil on silvered copper
Dimensions Height: 26 cm (10.2 in). Width: 35 cm (13.8 in).
cjr
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Domenichino
The Way to Calvary
new25/Domenichino-584489.jpg
Oil on copper , 21 1/8 x 26 5/8 in., Getty Museum
cyf
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Domenichino
Landscape with The Flight into Egypt
new25/Domenichino-873595.jpg
1605(1605)
Medium Oil on silvered copper
Dimensions Height: 26 cm (10.2 in). Width: 35 cm (13.8 in).
cyf
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Domenichino
Guardian angel
new25/Domenichino-548567.jpg
1615(1615)
Medium oil on canvas
Dimensions 132 x 100 cm (52 x 39.4 in)
cyf
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Domenichino
Landscape with The Flight into Egypt
new26/Domenichino-489976.jpg
between 1620(1620) and 1623(1623)
Medium oil on canvas
cyf
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Domenichino
Erminia among the Shepherds
new26/Domenichino-545426.jpg
between 1622(1622) and 1625(1625)
Medium oil on canvas
cyf
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Domenichino
The Rest on the Flight into Egypt
new26/Domenichino-376656.jpg
circa 1605(1605)
Medium oil on canvas
cyf
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Domenichino
St Cecilia
new26/Domenichino-648699.jpg
between 1617(1617) and 1618(1618)
Medium oil on canvas
cyf
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Domenichino
1581-1641
Italian
Domenichino Locations
Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
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