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Cimabue
Throning madonna with eight angels and four prophets
new12/LEONARDO da Vinci-753566.jpg
mk137
ca. 1280 Tempera on wood chalkboard 385x223cm
Galleria degli Uffizi, Florence
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Cimabue
Madonna and Child Enthroned with Two Angels and Ss. Francis and Dominic
new12/Cimabue-762289.jpg
mk156
Tempera on panel
133x82cm
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Cimabue
S.Trinita Madonna
new12/Cimabue-633557.jpg
mk156
c.1280
Tempera on panel
385x223cm
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Cimabue
Throning Madonna with angels and prophets
new16/Cimabue-674773.jpg
MK169
ca.1280-90 Tempered on wood 384x224cm Uffizi, Florence
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Cimabue
Madonna and Child in Majesty Surrounded by Angels
new19/Cimabue-576279.jpg
nn09
c.1270
Wood
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Cimabue
Crucifix
new20/Cimabue-663252.jpg
mk247
1287-88,oil on panel,176x153.5 in ,448x390cm,basilica di santa croce,florence,ltaly
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Cimabue
Notre Dame, dignified with the surrounding El Angel 6
new20/Cimabue-823958.jpg
mk255 in 1280 tempera painting dye, golden bottom color, Yang lignin high approximately 4.27 meter width 2.80 meter Paris, Louvre
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Cimabue
Maesta
new20/Cimabue-968843.jpg
Maest??, 1280-1285, Uffizi Gallery, Florence
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Cimabue
Crucifix
new20/Cimabue-669378.jpg
Crucifix, 1287-1288, Panel, 448 x 390 cm
Basilica di Santa Croce, Florence.
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Cimabue
The Madonna of St. Francis.
new20/Cimabue-624929.jpg
The Madonna of St. Francis.
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Cimabue
Italian b1240 - d1302
Cimabue Location
Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.
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