100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Philippe de Champaigne
1602-1674
Philippe de Champaigne Locations
His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Philippe de Champaigne A portrait of a man
new20/Philippe de Champaigne-552298.jpg mk255 for in 1650. Canvas 0.91 x 0.72 meters high. Paris, the Louvre
Philippe de Champaigne eccehomo
new24/Philippe de Champaigne-978793.jpg Description Ecce Homo
Date XVIIe siecle
Source/Photographer Huile sur toile
Permission
(Reusing this file) See below.
cyf
Philippe de Champaigne Portrait of Jacques Lemercier (1585-1654), Lemercier's Sorbonne in the background.
new24/Philippe de Champaigne-945759.jpg 17th century
Oil on canvas
cjr
Philippe de Champaigne Triple Portrait of Cardinal de Richelieu
new24/Philippe de Champaigne-369484.jpg Date probably 1642(1642)
Medium Oil on canvas
Dimensions 58.7 ?? 72.8 cm (23.1 ?? 28.7 in)[1]
cyf
Philippe de Champaigne Jean-Antoine de Mesmes, president of Paris'Parliament.
new24/Philippe de Champaigne-833547.jpg 1653(1653)
Oil on canvas
Width: 1.62 m (1.8 yd). Height: 2.23 m (2.4 yd).
cjr
Philippe de Champaigne Jean Antoine de Mesmes
new24/Philippe de Champaigne-736587.jpg 1653(1653)
Medium Oil on canvas
Dimensions Height: 2.23 m (2.4 yd). Width: 1.62 m (1.8 yd).
cyf
Philippe de Champaigne Le Christ au Mont des oliviers
new24/Philippe de Champaigne-749657.jpg Date between 1646(1646) and 1650(1650)
Medium Oil on canvas
cjr
Philippe de Champaigne Portra des Henri Groulart
new24/Philippe de Champaigne-337659.jpg 1654
Medium Oil on canvas
Dimensions Deutsch: 92,5 x 75,5 cm
cyf
Philippe de Champaigne Saint Bernard Philippe de Champaigne Saint Etienne du Mont
new25/Philippe de Champaigne-443454.jpg Date 17th century
Medium Oil on canvas
cjr
1602-1674
Philippe de Champaigne Locations
His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
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